Saturday, June 5, 2021

Suddenly, California Weather

Summer Evening on the River...

As I type this, it is still light out and it's past 8:30 in the evening. We've just entered June, the month where the sun goes highest in the sky. That, of course, is a very big deal in a region where sometimes you don't actually see the sun for weeks at a time.

Today it was about 85 degrees outside (about 23-24C), which was a bit hot, being that two weeks ago it still felt like late Winter. It appears that our Summer is kicking in early, after a mostly non-existent Spring. Eighty degrees F in Seattle is wondrous. I call it California Weather.

COTTONWOODS = LATE

The frogs are croaking at night, and the cottonwood trees are trying to let loose with their 'cotton', but when I am riding my bicycle around during late afternoons, early evenings, and/or early mornings, it is hard to shake this bizarre feeling that nature simply can't make up its mind as to where it truly is in the cycle of seasons.

Work for me has slowed down a lot. My employer is taking a several week break after several years of non-stop work. That gives me a little extra time to attempt to get my yard looking like an actual yard, instead of a jungle. I also have more time for fiction writing and slide guitar practice.

My radio hobby has been here and there. I am finishing a blog article on the Grundig G2, a radio that I use mostly for SW listening. SW radio listening conditions have been iffy at best. There are nights where I may hear 10 stations (most of them unreadable or grainy sounding, with a lot of fading), and other nights where there may be five stations and lots of static. MW conditions are about the same as they've been since 2016 or so -- fair.

At around seven in the evening my trusty old Thermometer said that it was 82 degrees F (about 28C).

THE THIRD CHIMPANZEE

When I started this blog, in March of 2015, there was a lot more going on in life, and a lot more to hear on the radio airwaves. Sometimes I look back and wonder at how I got so many ideas for different blog posts. 

In some of the older posts, I talked about what I was reading. Lately I've been reading Jared Diamond's The Third Chimpanzee. 

The Third Chimpanzee is a fascinating book, as it details the bizarre nature of human psychology (sexual selection, tendency for mankind to exterminate various animal species, etc.). There is also a section on language, and a description of the spread of the Indo-European languages from a suspected Indo-European homeland just north of, and in between, the Black and Caspian Seas.

One surprising thing is that Mr. Diamond -- a well-educated academic and geographer -- read the same two books on the Indo-Europeans that I did, and he even quotes them in The Third Chimpanzee. I bought both books new in the 1990's, when I had the money to spare and there was a huge bookstore ten to 15 blocks from where I worked in Downtown Seattle -- Colin Renfrew's Archaeology and Language: The Puzzle of Indo-European Origins and J.P. Mallory's In Search Of The Indo-Europeans: Language, Archaeology and Myth.

Being an amateur linguist and amateur historian, I always found the origins of language and my European ancestors intriguing. It wasn't enough to know my ancestors came from Scotland, Ireland, Germany and England -- I wanted to know where they originally migrated from thousands of years earlier. Those two books helped me understand that. And Mr. Diamond talks about the Indo-European migrations in The Third Chimpanzee.

Jared Diamond is a very good writer for an academic -- he has another book out (available also on eBook), called Collapse, about the Viking colony in Greenland (A.D. 900-1300 or so), and how it prospered before collapsing in the 1300's. 

The medieval Norse Greenland colony is a fascinating story. Started by Viking settlers and adventurers who took off from Iceland in the 900's (when the Faroe Islands were also settled), the colony was able to benefit from a period of warm climate that ended in the 1300's with the "Little Ice Age" -- a period of time when Winters got longer and Summers much shorter and colder.

They still don't know what happened to the original Norse Greenlanders. Some believe the remaining stragglers were taken in by Inuit people who lived farther north.

Jared Diamond's short eBook Collapse is a fascinating look at the Viking Greenland colony -- which lasted over 300 years. 

The sun about to set over the distant hill on a warm, early evening. It felt a little strange to be out on my bike and not need an extra layer of clothing (most evenings and mornings here have been cold over the past nine months -- I'd have to put on an extra coat when riding my 10-speed on the trail).

RECEIVING MY FIRST 'JAB'

On days like today these echoes from a distant past take hold of the imagination -- as there isn't really too much else going on. 

I got my first corona vaccine shot about a week and a half ago. I didn't feel anything when the nurse injected the vaccine, and luckily, I had no side effects. 

And, contrary to some wacky rumors out on the internet, no, my jab is not magnetic. No coins stick to my skin where I got my shot. There is still a certain amount of fear out there concerning the new vaccines. That's nothing new in itself: there was fear with the introduction of the polio vaccine in the 1950's and also the first Swine Flu Vaccine in the mid-1970's. Right now in my county in Washington state, 97% of the corona infections occur in unvaccinated people, which is a sign that the vaccines are working.

A lot of people around here still wear masks, and socially distance. I know that I do. I also do as I have done for years: I take garlic extract pills, zinc tablets, ginseng, Vitamin E, and exercise.... Trying to load the dice in my favor when it comes to health.

I try to keep track of news from Europe and other areas of the world as I have online friends in Europe (Germany, Austria and Norway) and elsewhere. I know that there have been varying lockdowns in Europe, and also lockdowns in Melbourne, Australia (I have some online friends there, also). Canada still has some quarantines. 

The only thing I can say -- to all my readers, American as well as the other half of my readers who are in the rest of the world -- is try to keep up hope. We'll all get through this, and hopefully we shall all be stronger for it.

My cats enjoying the balmy, Summer-like weather. I took all these pics with my Fuji AX-655 camera, which fixed itself after a couple years of not working (its lens was locked in the open position). I have a blog post on how that all happened.

STAY SAFE, STAY POSITIVE

In closing, I hope to have my article on the Grundig G2 published before the end of the month. It just needs a couple more pictures. It is an amazing little receiver -- it picks up Shortwave stations about the same off the whip as it does with my indoor 25 ft. / 10 meter wire clipped to it (with an alligator clip). It does excellently on FM, and is a good MW radio as well. It's the only radio I have used to listen to SW for the last few years.

Until next time, I hope this article finds each and every one of you doing well. Stay safe, and stay positive. Peace.

C.C. 6-2-2021





Wednesday, May 19, 2021

The Rise and Fall of SHORTWAVE RADIO -- Get 'Em While You Can

A Shortwave Radio, sold by Radio Shack in the 1990s -- the DX-398, made by Sangean. With a radio like this, one could hear the world -- before internet streaming replaced it. Sangean still makes an updated version of this radio (the Sangean ATS-909X2), and there still are interesting stations to hear via the Shortwaves.

Imagine a world with no internet, where there is no meaningful access to international news, or meaningful contact with people from other countries -- especially countries on other continents. Your local newspaper maybe has a tiny bit of news from the other side of the planet, and because local radio is so homogenised you never hear anything but the top 100 songs of the most popular, domestic formats, and nothing in a language that is not the local language.

During the evening, you go over to the corner of your room, and grab the end of an antenna you have strung out your window. You plug it into the back of your radio -- a radio with not just AM and FM, but also several other radio bands on it: Shortwave (SW) bands. Switching on your radio, you tune to the SW section of the dial, and suddenly, you hear Chinese, Japanese, Russian, French (both European French and African accented French), Swahili, Dutch, Arabic, German, Brazilian Portuguese, Turkish, Indonesian and Malay, and various Western African languages and various dialects of Spanish -- all within a couple of hours. 

You hear folk and other musics that your neighbors and workmates haven't heard because they just listen to the latest hits on local FM radio. You hear Pidgin English and Australian accented English with pop and rock music that you never have heard before. You tune to the CBC's Northern Service and hear various native languages from the Far North. You tune to talk shows in Mongolian, from the Chinese radio service to Nei Menggu (Inner Mongolia).

You look over your world atlas and see all the countries, cities, regions, islands, and various places where these stations you've just heard are located.

In just an evening or morning, you've heard the world. You didn't leave your chair, but travelled thousands of miles -- as if by magic -- just by turning a dial.

I know that in other countries, and other parts of the world, there has always been a lot of immigration and contact between cultures and exposure to different languages, but here in the United States it wasn't always the case.

There was a time before the mid 1990's -- before the internet started to become commonplace -- that Shortwave Radio was the ONLY way for an average American to get exposed to numerous non-American musics, languages, and cultures. In most major US metros there were a few enclaves of immigrants, and in parts of the US there were many regions with large numbers of Spanish speaking people, but mass immigration didn't occur until after 1990, and it wasn't until after 2000 that immigrants' broadcasting needs were truly met by local media, including domestic radio stations.

Today I can walk down my main street and hear and see people from El Salvador, Mexico, Ethiopia, Brazil, Somalia, India, Pakistan, China, Ukraine and Russia, Sri Lanka, Vietnam, Thailand, the Philippines, Cambodia, and various other countries of the world. 

But it wasn't always this way. 

What I'm describing may seem like another world to many of my readers, but it did exist, and the only window on the outside world for many of us was the magic of Shortwave Radio.

We're just starting to enter a period where the solar activity and solar radiation that Shortwave Radio depends upon may start kicking in again, bringing that medium some new life. Yet, at the same time, Shortwave Radio is declining in popularity and importance, and the number of shortwave stations worldwide is also declining. It prompted me to write this article, not only about my own adventure with Shortwave radio, but also to encourage other SW enthusiasts to remember to tune the bands and log stations, because within a decade they simply might not be there to log and listen to.

MY OWN SHORTWAVE JOURNEY : IT STARTED WITH AN OLD TUBE RADIO

As I've said here on this blog numerous times, I'm a radio hobbyist, and I have been one for many years. Throughout much of my life, a lot of my radio interest has involved Shortwave radio. It started when my father got me my first radio, when I was about three years old. The radio was a big old Silvertone radio (a large radio with vacuum tubes in it), and it received MW, which at night brought in stations from all over the Pacific Northwest, and parts of California. Instantly, my world was changed. It was like travelling far away without leaving your room.

And that Silvertone radio also received Shortwave. Now, for those who don't know what Shortwave radio is -- it's a range of frequencies that start just above the Medium Wave radio band (MW is called AM Radio here in the US and Canada), and they end somewhere down below the FM Radio Band. Shortwave radio is like Medium Wave, in that the signals will 'bounce' off the ionosphere and travel long distances. What you hear at night on Medium Wave, when tuning around the band, is similar to what you can hear on Shortwave (SW) -- distant stations, their signals phasing and fading in and out -- you can hear the distance.

Unlike MW signals, Shortwave radio also will 'bounce' off the ionosphere during the daylight hours, depending on the frequency. In other words, the radio waves hit the ionosphere and bounce back to earth maybe 1000 - 2000 miles away or more, even during the daytime. And sometimes the signals will bounce their way to the opposite side of the Earth. The higher parts of the Shortwave band work better during the daytime, and the lower parts of the Shortwave band work better at night (like MW does).

Two Radio Shack, Realistic brand radios that were fairly inexpensive and could bring in the world. In this pic, both radios are tuned to Radio Rebelde, a music station from Cuba, that is still on the air and easy to hear in most of the US. With the bottom radio, I was able to hear Tunisia and Turkey regularly in the 1990s.

For years, Shortwave radio was one of the only ways Americans could hear new, music, and foreign language broadcasts from other parts of the world. In fact, you could say that until streaming became popular on the internet, Shortwave radio was indeed the ONLY way someone in the US could hear anything Russian, European, Asian, South American or African -- and Shortwave radio was the only way an Eastern European person, Asian person, African person, Middle Eastern person, Australasian or South American person could hear a broadcast from the US and Canada.

For many GenX'ers and Boomers here in the US, Shortwave was their introduction to hearing foreign languages spoken, and musics from distant cultures.

THE COLD WAR: SHORTWAVE'S HEYDAY

Now, when my father gave me that first, big old tube AM-SW radio, it was when the Cold War was still raging, and the Shortwave Radio band was hopping with signals. There were numerous stations on the Shortwave band nearly any time of the day. Many of those stations were International broadcasters, sending out news, information, and even propaganda to the rest of the world, thanks to Cold War politics.

And just with the two to three meters of wire which were stapled to the inside of the back of the cabinet of that big, tube Silvertone radio I could hear Radio Moscow, the Voice of Vietnam (relayed through Cuba), Radio Havana, the Voice of America, the BBC, AFRTS (the radio service for the overseas US Forces), HCJB (a Christian broadcaster in Ecuador), Radio RSA (apartheid-era South Africa's external service broadcasting from Johannesburg), Radio Nederland (from Bonaire in the Caribbean), Deutsche Welle, Radio Canada International, and numerous other stations broadcasting in Spanish, Japanese, Russian, Chinese, and other languages. 

And don't forget WWV: the US time-stamp station, its tik-tik-tik-tik sound always broadcasting day and night on different frequencies.

For a child it was a wonderworld of sounds. Not only did I hear foreign languages and foreign music, I also could hear strange bubbly noises (RTTY), the dots and dashes of Morse Code, and weird sounds of LORAN and other utility services, which an amplitude modulated radio couldn't decode, but could still pick up.


A Penncrest brand AM-FM-SW Multiband transistor radio, Model 1993. In the 1960s and 1970s, analog tuned radios like this one were popular to take camping, out in the yard, or just to listen in the house. On a radio like this, stronger SW stations could be heard with the whip antenna, but with an outdoor wire antenna, one could hear the world. With this radio, I heard Australia, Japan, South America and South Africa, just with 60 feet (20 meters) of wire strung between my windowsill and a tree in our back yard. The bit of thin, black wire plugged into the left side of the radio is the antenna that came with the radio, which I attached to the outdoor antenna with a long piece of speaker wire.

SIXTY FEET OF WIRE BROUGHT IN THE WORLD

After using the big old tube radio, I got a Penncrest transistor AM-FM-SW radio for Christmas one year. It had similar reception to that of the older tube radio. And after reading about antennas in a radio and electronics magazine, I bought some antenna wire and insulators from the local Radio Shack store and put up a 60 foot (20 meter) antenna, stringing it between our house and a nearby locust tree, and I began to hear more countries. This is when I first heard Radio Australia (5995 khz), Papua New Guinea, New Zealand, Singapore (both the BBC and SBS) and Japan (FEN Radio 810, relayed on 6005 khz. I think -- as well as NHK and Radio Tanpa). 

I also heard Russian stations all over the lower part of the SW band -- Radio Mayak and Radiostansiya Rodina -- which were SW broadcasts aimed at Russian mariners and shipmen in the Pacific. These stations were located in Kamchatka, in Petropavlovsk and Magadan. I can still remember hearing their signals, with the (mostly female) announcers announcing the time (Moscow time), and I remember the dramatic sounding music they played. At the time I did not know who these stations were. Later on, in the 1990s and 2000s, I listened to them a lot because they were slowly shutting down -- the last one to shut down was the Magadan station in the 41 meter band.

With that Penncrest radio I also heard some Christian religious broadcast stations that aimed their transmissions into Asia. One station in particular, KNLS, Anchor Point, Alaska, broadcasted in Russian most evenings and mornings. I recorded some of it and put some of it into a song I also recorded several years later (Highway To The Sun).

Highway To The Sun can be heard here:

ChrisCampbellRock | Chris Campbell Rock | Free Listening on SoundCloud

A couple Christmases after getting my Penncrest radio I got my first communications receiver (a high performance SW radio with sideband receiving capability), and heard 'tropical' SW stations from Venezuela, Guatemala, Costa Rica, Colombia, and Brazil. A few years after that I saved up my money and got a Yaesu FRG-7 (my uncle, a ship's radioman, suggested I get one), and I heard more stations, including Radiobras from Brazil, RTM Malaysia broadcasting from Kuala Lumpur, and also another RTM Malaysia station broadcasting from Kuching, in Sarawak (on the island of Borneo -- that station played pop music during the early mornings here). I also heard Africa Number 1, a station out of Gabon that played Highlife and other music.

A 1970's era Comtrek multiband AM-FM-SW-VHF radio, which I bought used in the late-1990s. Just on its whip antenna I was able to hear North Korea, the BBC, and a few other strong SW stations. With a longer wire antenna, many owners of radios like these were able to hear the world, with such simple equipment.

A pic of my Yaesu FRG-7, which still works. This pic was taken when I was cleaning the insides of dust, as it had been in storage for 10 years. In the early 2010's, I listened to MW on this radio, but in earlier years I tuned the SW Broadcast bands and SW ham bands with it frequently.

In the 1990s after getting a couple Radio Shack SW radios I listened to Radio Turkey for several hours every evening, broadcasting in Turkish, with lots of great Turkish music. Through hearing Radio Turkey, I learned about instruments like the saz and cumbus saz.

During the afternoons Greece would broadcast in Greek to the US, as there were many Greek immigrants in the NE US. It was my introduction to hearing the Greek language. During afternoons and evenings Radio France International broadcast in French to Africa for hours at a time. I can still recall their bumper music, which was a dramatic sounding piece that was all synthesizer.

At this time I also discovered amateur radio -- a hobby I've never joined, but I've always listened to 'ham radio' guys on my radios. I've heard hams from Qatar, Franz Josef Land, the South Pole, Borneo and Sarawak, Argentina, Chile, Puerto Rico, Mexico, Northern Ireland, Spain, and even "Santa Claus" talking on his ham radio from Northern Finland!

A Realistic DX-440 AM-FM-SW digitally tuned radio that I bought in 1989. Radios like this became popular with those who wanted to hear the world when there was no internet, just computer BBS's. With this radio I could hear Europe, East Asia, Southeast Asia (including Malaysia and Singapore), India, the Middle East, Southern and Western Africa, and South America (including Brazil and Venezuela). Using headphones, even Shortwave radio stations had a full, rich sound.

A 100 FOOT ANTENNA and a REALISTIC DX-440

Over the years I added to my collection of SW and MW radios: a Realistic DX-440 I got in August of 1989, a Realistic DX-390 I got in 1995, a Realistic DX-398 I got in 1998, and a Panasonic RF-B45 I got in 1996 (I heard the BBC broadcasting Princess Diana's funeral live in September 1997, including Elton John's first performance of the new version of Candle In The Wind), and several other smaller radios.

In the Winter of 2002-2003 I got back into SW listening after a several year break, and this time, I had a 100 foot wire (30 meter antenna). Using my DX-440 mostly, because it had such a great sound through the headphones, I heard Russia, China, India, Pakistan, Thailand, Singapore, Korea, and even heard a regional AIR India station broadcasting tribal chants from their station in Chennai -- which is on the other side of the world from us here in Seattle. I heard Bayern Rundfunk (from Germany) playing 1980s pop music -- this was a few months before they went off the SW band. I heard strange chanting just below the 40 meter ham band (Borneo 'village radio'). 

I began to log my SW catches online, on a "Short Wave Logbook" that still exists, here:

Daily LogBook 2014 (dxworld.com)

Here are links to the pages of the Shortwave Logbook that will show what we all were hearing in the Winter of 2002-2003, including many of my own SW catches:

December 2002 LogBook (tripod.com)

2003 LogBook (dxworld.com)

IT'S THE END OF AN ERA; and AN END OF A VALUABLE MEDIUM

Shortwave radio has always been a part of my life. Now, it hasn't been as much of a hobby as Medium Wave DXing or Medium Wave listening, but Shortwave listening has always been there -- for years it has been the hobby that never completely goes away.

Sadly enough, I can't say that anymore. 

Shortwave radio -- a viable broadcast medium that has been used by hobbyists and governments for 80 years -- is dying. And it may be gone by the end of this decade.

Think about it: the broadcast medium used by all of the major powers during World War Two and the Cold War, and used to reach Third World nations with news and information, and used by Third World nations to educate and entertain Americans and Europeans about their countries and cultures, is about to die out completely.

Millions of people around the world won't know, or even care. It's unfortunate, because Shortwave radio had a definite cultural impact and importance, especially during World War Two and the Cold War years. This cultural impact was felt in Third World countries and Iron Curtain countries much more than it was felt here in the U.S. and Canada. While people in the US, USSR, and Europe had MW and FM radio to rely on for information, many people in parts of Asia, Africa and rural Central and South America relied on Shortwave radios to get reliable news from international broadcasters like the BBC and Deutsche Welle -- either because they didn't have reliable local radio, or they didn't trust their local news agencies.

The Voice of America's Jazz program was extremely popular in Eastern Europe and the Soviet Union during the Cold War years. It was one non-political thing that broadcast to our adversaries at that time that we all have something in common: a love for music. Cultural impacts like that are priceless.

Even though Radio Moscow was considered a propaganda medium by many Americans, Vladimir Pozner and Joe Adamov (big name Radio Moscow commentators) often got away from politics when giving their commentaries. They often told stories, anecdotes, and talked about the culture and character of the Russian, Ukrainian, and other former Soviet Union peoples. Although no one knows how many Americans were listening, I think it gave me a better understanding of the people in the Soviet Union at that time, and I think that the programming I heard was valuable for the cultural benefit alone.

I couldn't have gotten that insight any other way.

IT'S THE INTERNET

Radio in general is starting to fade in importance as a broadcast medium, and for that we can all 'thank' the internet. The internet has a lot of pluses -- one of them being that I can write this blog, and it will be read by readers from all over the world. Roughly half my readers are overseas.

The negatives? The older media -- newspapers, magazines, and radio -- begin to die off and fade away. And that is what we radio hobbyists are now seeing with the demise of Shortwave broadcasting: an old friend is fading into the static.

During the 1990's and 2000's, when SW was still going strong, there was talk in the SWL community of the end of Shortwave. At the time, people were blindsided when the BBC decided, in 2008, to shut down its SW broadcasts to North America (from Antigua) and to Australia. Radio Nederland took over the BBC's frequencies and promised to continue in the BBC's place, but a few years later Radio Nederland also went off the air -- and completely. Then Radio Canada Int'l went off the air, and tore out their antenna system. 

By the early and mid 2000's, the international broadcasters that blanketed the world during the Cold War were mostly gone -- the few remaining broadcasts were aimed at Africa and parts of Asia that the big guns -- BBC, VOA, Deutsche Welle, and China -- still wanted to reach with their message.

My own interest in the Shortwave hobby took a dive in the mid 2000's -- my 100 foot antenna (and a CB antenna I used to talk to the southern US, California, and Mexico) blew down in a windstorm. For a while I just lost interest.

Then, in 2011, I put up a decent indoor antenna, and I cleaned up my radios and fired them up. Soon, every afternoon, morning, and evening I'd turn on my DX-398 and tune around. It was during this time that I began to see that SW was losing its importance as a medium -- it was losing out in many parts of the world because of FM stations being more commonplace -- even in Third World countries FM was replacing SW for foreign news and information, and they naturally listened to their home broadcasts on FM networks.

The Radio Shack / Realistic 200629, Radio Shack's version of the Sangean ATS-505 AM-FM-SW radio, which is still available online. The radio has a portable antenna plugged into the left side, where the external antenna jack is. I've heard parts of Asia and South America with this radio, just with a 10 meter indoor wire antenna (about 25-30 feet long). I bought this at Radio Shack in 2013, just before Radio Shack stores began closing.

Even so, there was still plenty to hear on SW during the early 2010's: I heard Radio Amazonia every evening. I heard CVC Voz Cristiana de Chile (a religious broadcaster) many afternoons. On Saturdays they would play the Spanish Christian top hits, and they had comedy shows. Although I couldn't understand most of it (I do not know a lot of Spanish), it was still fun to hear. Radio Espana del Exterior was on every afternoon on 15110 khz with great music and announcers speaking Castilian Spanish. I was also hearing ham radio signals from everywhere. 

Early mornings, when it was still dark out, I heard SW broadcasters from Vietnam, Thailand, Japan, Korea and China; I heard mysterious single letter, Morse Code beacons from Russia in the 40 meter ham band; I also heard the famous Borneo, 'village radio' chanters on 6999 khz and even higher up in the 40 meter ham band -- numerous radio operators all chanting into their microphones while another operator recorded them, and then played it back over the air so the rest could hear who had the loudest signal. Some hams claim that these chanters are using unlicensed ham radios. Many of them seem to be in Kalimantan, the Indonesian part of Borneo.

I also heard Malaysian and Indonesian ham operators talking to each other on the 40 meter ham band. Although they often spoke in Indonesian and Malay, it was interesting to hear the language. During the evenings I listened to the Voice of Greece on 9420 khz -- they'd play some of the saddest sounding love ballads sung by sweet and sultry voiced female singers. There were slow CW (Morse Code) nets on various ham bands I listened to. On 'sideband' CB I could hear hundreds of operators talking in Spanish, chatting with each other in places like Costa Rica, southern and northern Mexico, Puerto Rico, Panama, Peru, Venezuela, and even Brazil. "Hola Once! Hola Once! Hola Once!" they would often say into their mics in Spanish, looking for others to talk to ('Hola Once' is 'Hello Eleven' in Spanish -- 'Eleven' meaning 11 meters, the CB band).

One afternoon I heard a woman from Colombia or Venezuela talking to a guy from Brazil in broken Spanish, on sideband CB -- on the channels above the 'official' CB band, where a lot of CBers go when they want to 'DX' and talk to the rest of the world.

There was a lot going on.

The Grundig G2, a discontinued AM-FM-SW radio mini-boombox with recording ability and built-in memory, and a mini-SD card slot. A DSP-chip radio, the G2 is excellent on Shortwave off the whip, and also excellent on FM. On the MW/AM band it is very good -- about the same as your average Walkman-style headset radio -- but if you want to DX with a G2 you'll probably need an external loop antenna to get better results. On SW, you can attach a short wire (10-20 ft. / 3-6 meters) to the whip antenna and bring in more signals if needed. The G2 has a rechargeable battery, which is charged via USB cable. You can get a couple weeks or so off the battery between charges, if you're using the G2 an hour or so a night.

The 2010s -- THE LAST BIG GASP FOR FULL SHORTWAVE BROADCAST BANDS

Even later in the 2010's there was still plenty to hear.

In 2014 I got a Grundig G2 digital AM-FM-SW radio, which has 50 memories for SW. When I first switched it on, I was hearing all sorts of SW stations. The radio itself was awesome on SW. There was virtually no interference from nearby stations -- if you tuned to a weak station next to a strong one, you could hear the weak station easily. It sounded good through headphones. I began listening to it every night and early morning.

I soon had all 50 SW memories filled with various stations within a couple weeks. I was hearing Brazil, Greece, the BBC (from Ascension Island and Singapore) and Radio New Zealand. I heard Radio Australia on 9580 every night and morning. I heard China broadcasting to Europe from Kashgar, a somewhat remote area in Xinjiang Province. I heard AIR India, broadcasting to Afghanistan in Dari and Pushto. I heard Vatican Radio. The G2 was a Godsend -- I didn't need an antenna, it was picking up tons of stations just off its whip antenna. Early mornings the 49 meter SW band and 41 meter SW band were both packed with Asian stations. I maxed out all my memories.

Then, some time in late 2016, the sunspots began to dive. Slowly, over the next five years, there were many, many nights I would turn on my G2, scroll through all 50 memories, and hear nothing but static.

No more India, no more Kashgar, no more Amazonia, no more BBC from Singapore, and no more Vatican radio, and no more Australia -- as Radio Australia was shut down. No more Spanish speaking CBers on the 'sideband' CB frequencies. No more chanters from Borneo on the lower fringes of the 40 meter ham band.

During this same time, some other stations were reportedly having monetary troubles, and some left the air. The Canadian broadcaster the CBC used to have SW relays on 6160 khz, including one in British Columbia I used to hear daily. The transmitter had a fire and they just shut the station down.

From 2016 until recently, there were nights I'd turn on my SW radio and hear absolutely nothing but one or two stations at best, usually Cuba and US religious stations, and sometimes they sounded weak and grainy. On top of that, the ham bands were mostly dead. Some Shortwave Listeners (also known as SWL's) south of me in California and the Southern US were still hearing stuff, but I was hearing mostly static.

Now the sunspots are coming back. But even though the sunspots may be coming back, the SW bands still seem dead, especially when compared to the early 2010's, and 2000's.

What do sunspots have to do with anything, you might ask. Good question.


A NOAA chart of the last two Sunspot 'cycles', with the years on the bottom of the graph. To the left side of the graph, you can see the peak of the Solar cycle that happened 2000-2002, where there were the most sunspots. At that time, I was able to hear Germany, Russia, and then later on I would hear some Chinese regional SW stations, with Indian SW stations behind them, during early mornings. The sunspots then dipped -- and solar activity dropped -- between 2006-2010. Solar activity began to climb again after 2011, when I began to get back into my radio hobby. As you can see from the chart, the solar activity peaked roughly between 2012-2015, when I was still able to hear a lot of SW stations, and MW long distance listening was excellent. Then the solar activity dived after 2016. We are about to see more solar activity soon, which should peak again in 4-5 years. (Graph courtesy of NOAA)

THE ALMIGHTY SUNSPOTS, AND THE INTERNET

Shortwave broadcasting, and to a certain extent, long distance Medium Wave broadcasting, depends on sunspots to work well. When the sun has a lot of sunspots, solar radiation affects the ionosphere a lot more than when there are few sunspots. Consequently, when there are no sunspots -- like we saw for about three or four years recently -- the Shortwave band doesn't work so well, especially if you are in far Northern and far Southern latitudes. The sunspot cycle is consequently pretty important to SWLs and ham radio guys. When there are no sunspots, many nights you just as well may turn your radio off.

During this low sunspot period since 2016, radio itself has been feeling the pinch. AM and FM station revenues went down almost 50% from 2005. At the same time, MW and FM radio in the US began to lose audience to internet streaming. 

However, internet streaming has affected SW listening, too. In parts of the world (Asia and Africa) that used to have high concentrations of SW listeners, internet radio and FM has taken SW's place. Consequently, the operators of big SW stations are slowly cutting back on broadcasts even to those areas.

Now we are seeing more sunspots. But the big question is this: will that really make a difference?

SO, GET 'EM WHILE YOU CAN

NOAA, the US governmental agency that reports on weather and solar activity, says we have enough new sunspots that we are now officially in a new sunspot cycle. This should be good news for SW and MW radio enthusiasts, as it means that the conditions necessary for good long distance reception are improving.

This is a NOAA / NASA graph predicting the next Solar 'cycle'. The red lines on the right side of the chart are predictions of how much solar activity there may be, and what years it will be the highest, which appear to be late 2023-2026 or so -- two to five years away. Hopefully, there will still be a lot to hear on the SW bands when that Solar activity peaks.

However, at the same time SW stations are leaving the air. They are seeing less listeners, as people use the internet and FM radio in most of the world to listen to news and music. So, if a SW station's equipment breaks down, or their antenna system breaks, it's expensive to fix or replace, and with less and less listeners a lot of stations don't bother getting the facilities fixed: they just shut down the station.

It's a sad fact for many of us who like to tune around and see what we can hear coming into our radios from the other side of the World.

This is why I say to my fellow SWL's: Get Them While You Can.

We don't know how good this next sunspot cycle will be, but we do know that the trend for SW broadcasting isn't looking good. The sunspots will give us a better ionosphere. But stations may start leaving the air, even though the ionosphere is more cooperative.

It's obvious that there are still millions who listen to Shortwave in various parts of the world, if only to receive news and information from outside their country. Some listen to SW because it's the only way they can get religious or other programming they can't get otherwise. But Shortwave's days are drawing to a close, and I have sincere doubts there will be much to hear on the SW Broadcast bands when 2031 hits. But before then, there will probably still be a lot remaining to hear.

The Realistic / Radio Shack DX-398, showing a memory 'page'. Each 'page' held 9 memory locations. In this one in the picture, I have a page called "India", and I stored nine frequencies where there were SW stations I heard from India, or I knew there were Indian stations and I wanted to hear them. 10330 khz was where I heard a station from Chennai, India, playing villagers chanting, singing and dancing. I can still remember hearing it so clearly -- it was like I was there in the village, hearing them stamp on the floor of the building. That station is no longer audible here in the US, and it may be taken off the air soon. It's an example of how far Shortwave broadcasting has fallen. I keep the memory locations stored in my DX-398 just because there's no reason to replace them. And they remind me of what I used to hear every day.

To understand just how few stations there are on the Shortwave bands, compared to the 1990s and 2000s, think of this: The DX-398 radio (pictured above), which I bought in 1998, has over 200 SW memory locations (where you could store frequencies), including many "pages" where you could store the stations' frequencies by category -- I had pages devoted to Asia, Africa, Europe, Southeast Asia, India, etc. Using a couple buttons, I could label each 'page', and then when listening to the radio, I'd scroll to that 'page' and go through the memories, to see if any stations from that part of the World were on the air.

Today all of those memories I programmed into the DX-398 over the years are TOTALLY USELESS.

There's nothing there.

I can't emphasize enough: If you are a SW aficionado, and maybe your antenna blew down (like my 100 foot antenna did), or you had a radio and shoved it away somewhere during the low sunspots, get your antenna back up, and clean up the radios and turn them on!

Because soon enough -- maybe in just five years -- there may not be anything to hear with them but static.

We don't know how good the ionosphere will be, or how many stations will stay on the air, or how long they will keep operating. I recently downloaded a frequency list from EiBi, an SW website based in Germany. According to EiBi, there are still hundreds of frequencies with stations on them, and something to listen to -- if the ionosphere cooperates. That list may diminish, but it probably won't diminish quickly. If the ionosphere cooperates, we may still have a lot to hear over the next 5-10 years, depending on world events, and the world economy. 

By the way, here is EiBi's web link. The lists are text files. You can even scroll over them using a tablet computer or phone, using a web browser. I use the frequency list. It's a long list.

www.eibispace.de

Another useful site is Short-wave.info. Here is their link.:

Short-Wave Radio Frequency Schedule for BBC in ENGLISH

Short-wave.info is a user friendly site, complete with an active world map, and pull down menus to help you find stations to hear on the SW bands. It not only shows the locations of the SW stations' transmitter sites on the world map, it also lists their beam azimuths -- which direction they are broadcasting, which can help ID an unknown station.

THE OLD TECH IS STARTING TO DISAPPEAR -- IS THAT A GOOD THING?

Some people, including many people who work in the radio business, think that Shortwave is a useless medium. They always bring up the horse and buggy. "We no longer need horse wagons," they say. "It's the same with Shortwave radio."

They have a point. But then, you could say the same about a lot of things. 

Some day, there will be no brick and mortar stores -- everything will be purchased online and delivered by drone. That may be a more efficient way to shop, and perhaps it will save energy. But is it really a great idea to never interact with another person directly like you do now when you shop at a store?

Some day, there will be no more need for automobiles in the US. Everyone will share them, and they will all be electric, and you'll just order one on your smartphone and it will show up and it will be self-driving, and it will automatically dock your bank account for the rental time. This may be great for the environment, but is it really a great thing to lose that much independence, that one has if they have their own car available?

Some day, there will be no cash. Many say that's fine, we don't need it anymore. But cash purchases can't be tracked, hacked, or switched off at the bank -- so that form of independence may be lost. It's a trade-off, obviously, but it's something that many should be thinking about when discarding the older ways of doing things for the new.

Some day, there will be no AM and FM radio, or any cable TV -- it will all be various streams of information and entertainment on your smartphone or tablet. On the outset, this may be a great idea. But on the other hand, having mass media networks and radio stations brings people together. When I was a kid, everyone knew what was on TV last night. Everyone talked about it. Now, everyone is watching something completely different, and there is less in common to talk about. People have less and less in common anymore, and the splitting of mass media into little clusters is part of the problem.

Is that a good thing? Maybe it is, but there is still something lost.

Of course, you can't stop progress, and maybe no one should. But there is still value in the older technology, it has served humanity for millenia in some cases (riding horses) and a hundred years in other cases (radio, for example). 

Either way, when the last Shortwave station goes off the airwaves, I won't be celebrating. It will be a sad time. Even if its inevitable, it will be the closing of an era. 

The past four years have been a taste of a SW band with no stations. Since the Fall of 2016, SW conditions have been abysmal. There have been times I have tuned across the most popular SW bands and heard nothing but static. At the time, it was just because atmospheric conditions were bad -- low sunspots. According to EiBi and other SW frequency sites, there were still SW broadcasts taking place -- it's just that conditions were so bad, the signals weren't strong enough to reach my part of the world.

Some day, that absence of SW signals will be permanent. There will be indeed nothing but static to hear on the SW bands, and it will stay that way.

For those of you who grew up with the internet, think about it: some websites you used to enjoy are now gone forever. I know of some websites I used to go to that no longer exist. Excite.com had personals I used from time to time. Yahoo EGroups was a place I used to hang out. Napster and MP3.com had indie music. There were two rock band forums I used to hang out at around 2001. Those websites and forums are now gone forever. Maybe you're lucky and you can find what's left of them on the Wayback Machine. But as we all know, many sites on the Wayback Machine only give you bits and pieces, with lots of missing chunks. 

And a lot of those lost websites were a big thing just 15 or 20 years ago.

That's what SW radio will soon be like -- except there is no Wayback Machine for SW, except maybe a few sound files on the internet.

So, if you are a radio aficionado like me, and you grew up on Shortwave -- GET 'EM WHILE YOU CAN.

IN OTHER THINGS...

Lately our weather here has been more Spring-like. Night time temperatures are around 50F (8-10C) and during the day we have been seeing more sunshine. At night the frogs have started croaking -- they're about a month late. They usually start croaking and chirruping by the end of March, and this year it was the last week of April that when I took my night-time bike ride I heard all the frogs in the ponds.

My work has slowed, and fiction writing time has picked up. Life has carried on as per usual. I still listen to the AM band nightly while writing or doing tasks around the house, and I also tune the Shortwave band about once every other night or morning, and the results vary from grainy static and a few stations here or there. It's one of the reasons I decided to post this article about Shortwave, and my long history with it. I really think the next few years will be the last blast for the shortwave communications medium.

There are radio companies like Sangean and Tecsun coming out with new radios -- receivers that do stuff that guys in the 1970s and 80s would dream about -- but there is unfortunately less to hear. For those of you that are fortunate to get those new radios -- make sure you use them. After 2030 there may be nothing to hear on them.

The Panasonic RF-B45, the last Japanese-made Panasonic SW radio. This radio is probably the best MW/AM radio I've got, and with an external loop it's virtually matchless. On SW it does well off the whip antenna, but is much better when using an external wire -- even the 15 footer that comes with the radio is a great help. FM is in mono, as is the headphone socket. If you're using stereo headphones (and who isn't?), you need a stereo-to-mono adapter.

I will close this article with a pic of my Panasonic RF-B45 AM-FM-SW radio. This is one of my favorite radios to use. I bought this one when the Electronics Universe store in Auburn, WA, was closing down. The radio was missing its battery door, so I used duct tape instead.

It's excellent on MW / AM -- in fact, it's probably the best AM radio I have. I still remember hearing Princess Diana's funeral on this radio in 1997, when the BBC broadcast it from Antigua during the late morning. At the time I was at my mother's place, recuperating from nasal surgery. I was lying in bed, listening to the radio on headphones, the 15 foot wire antenna plugged in to the radio and strewn out across the bed. It was a sunny day outside the window, but the funeral was a sad occurrence. And I was hearing it live from England.

I still use this radio most evenings, as it's the best radio I have for MW nighttime distance listening. It has very good sensitivity and is selective enough to separate weak stations from a stronger station nearby. It's also the last Panasonic SW radio that was made in Japan. Panasonic's next model was made in China.

So, until next time, dear readers, I hope you all are doing well, staying safe, and let's hope that before the year is through this pandemic will be consigned to history. The World needs to be able to move on to newer and better things.

And, of course, everyone needs a cat picture. :-) This is an old pic of my cat Scooter, who was a great companion. A mischief-maker, she was lost to kidney disease about a year after the pic was taken. She used to wait for me to get home from work, always looking for me. 

Peace to everyone.

C.C. May 17th, 2021



Friday, April 23, 2021

April Showers, and a Few Flowers -- But Two Weeks Late!

Trees are finally greening out here, 2 weeks late.

As I write this, I have my window open. It is almost 8 p.m., and the sky is still light out. The past four to five days we've finally seen some Spring weather here in the Seattle area -- temperatures reaching 60 degrees F (around 12C), and the nights haven't been freezing for the past five nights in a row, which seems miraculous, in that just over a week and a half ago it just hit freezing (32F / 0C).

The hills around my little corner of Washington have just begun to turn a light green, and after what seems to be interminable cold, it's finally feeling like Spring.

A look down the highway, the light green of fresh leaves, and 15C / 60 degree temperatures feeling like Spring finally.\


While I was out on my bicycle and taking a few pics with the Nikon L32, a helicopter flew over a nearby hill. The electronic telephoto enhancement on the Nikon sometimes works really well for shots like this.

I have yet to get my corona shot, that is something I hope to do in a couple weeks. Things are opening up in my state a little -- which means the traffic on the roads is back. There still aren't many jet airliners in the sky, though, so at night it's a lot quieter at times than it was pre-pandemic.

Work has continued, fiction writing has halted, and I've been wrestling with two of my electric guitars, trying to make them better for slide playing -- which means you're jacking up the string tension, but not to the point where strings are popping. I increment up the bridge saddles, a thousandth of an inch at a time, play a little, let the guitar sit, try it again.... Closer and closer to 'perfect'.

A 110 year-old Trestle and green trees.

One of my guitars, my Ibanez Gio GRX40, is really good on slide. Being a longer scale length, the distances between the notes is greater, so you have less chance of overshooting a note with the slide. The Powersound humbucker also sounds very good with slide, much better than it does if you fret single notes.

And the saddles on the bridge go up, up, up -- by the thousandths of an inch.


Three Tremolo springs (instead of five, which is probably preferable) -- not exactly ideal for maximum tuning stability, but it's the way the guitar was delivered from the factory, and I don't feel like messing with it now. 

The tuners on my Ibby, however, need to be replaced -- mainly the top two. They work, but they do not have a positive feel, and when you're playing in Open G and trying to get the chords to sound totally balanced, you need more 'feel' from the tuners than I've been getting. So it's time to get out the tiny drill and the wood putty (to fill the previous tuners' holes in the headstock).

I've changed out tuners three times previous (once on my Daimaru Jaguar copy, and twice on my Lotus L520 Les Paul copy), so it's not something I haven't done before, but drilling into one of my guitars isn't something I really look forwards to.

The Cedar River at dusk. The river is low for this time of year, when it is usually two to three feet higher and really flowing fast.

All that said, I'm still working on a radio article (on the Grundig G2, a lesser known Grundig that came out in the 2010's and didn't sell well), an article on Shortwave radio, and a third article which is devoted to slide guitar.

Until then, I hope these photos will suffice.

Peace out to all of my readers, here in the U.S. and all over the world.

C.C., 4-22-2021

Tuesday, April 6, 2021

JOYO BRITISH SOUND -- A Great Guitar Pedal, And A Cure For Some Excess Hiss

My typical "pedal board" these days. Guitar into Boss DD-3, into the Joyo British Sound dirt box (dead center in the pic), into the Boss Super Overdrive SD-1, into the clean (or dirty) channel of my Fender solid state Tweed Bronco (a 20W amp with TL072s and several series of clipping diodes in it). The LED on the JOYO, you'll notice, is fairly bright. When the battery gets too week to operate the pedal 100%, the LED doesn't dim as much as LEDs do on other pedals. Where I have the controls set on the Joyo, in this picture, is where I usually have them -- although I often crank the bottom left control higher, and the bottom right control lower, depending on the guitar I use, and color of Marshall-like tone I want.

As many of my readers already know, I not only have a radio hobby, but I also am a musician. I am mainly a rhythm and slide guitarist, but I also sing, play bass guitar, some keyboards, bagpipes, and in the past I played a set of drums on my demo recordings. On top of that I have dabbled in blues harmonica, and also have played some mountain and Celtic tunes on fiddle and banjo from time to time.

But guitar is my main instrument of choice. It just feels natural in my hand, to make music with one. Consequently, like most guitarists, I have my share of 'stomp boxes' -- distortion units, choruses, phasers, flangers, echoes and delays (analog and digital), noise suppressors (sometimes needed in recording), compressors, etc.


My Bagpipes, a set of 1981 Lawries with 1982 Hardie chanter. I used to play them in a band, but after my dad passed, it wasn't fun anymore, and I now play at home -- not as often as I should.

Stomp boxes can add atmosphere to your guitar's sound (chorus, phase, echo), or extra expression (wah-wah -- something I used to use in the 1980's but grew tired of). They can also color your guitar's sound overall (EQ, Fuzz, Overdrive, Distortion, etc.).

This is similar to my average philosophy on pedals and 'guitar rigs': One guitar, three pedals, and a decent amplifier... It doesn't even have to be an expensive amp. There are some good sounding ones out there at affordable prices. The guitar is an old Ibby which I got at a thrift store -- I had to gut it because the original switches were unfixable and the pickups fell apart when I took the covers off to get more volume. A local music store had Japanese Strat-copy pickguards with pickups, probably Matao brand. Controls and switches came from Radio Shack, which no longer exists; and a grey piece of plastic -- to mount the jack -- came from a hobby shop that also no longer exists.

PEDALS = GOOD; OR PEDALS = OVERKILL

A lot of guitarists have massive pedal boards full of all sorts of unnecessary stuff. They even have pride in their pedal boards. There are YouTube videos where guys show off all their expensive boutique pedals and gizmos, with several pedals in a row that all do the same thing (only differently!); furthermore, they've got racks full of crap to process the signal; you will then sometimes see them with ten or twelve stacks of amplifiers lining the wall behind them, when you really only need one amp and maybe a backup.

Then you'll see some big name guitar player being interviewed about their rig, and it's all boutique stuff -- in other words, forget trying to sound like them, because they're playing a custom $5000 guitar plugged into a custom $5000 amplifier through $500 pedals and processors, none of which Average Joe or Jane Guitar Player can afford.

Jimi Hendrix played stock Strats into stock Marshalls. He had a wah-wah and a fuzz box. Sometimes he used other stomp boxes, too, but in this video (Stockholm, 1969) he's using two -- count 'em, two -- pedals.:

The Jimi Hendrix Experience Live in Sweden 1969 - YouTube

Jimi wouldn't fit in today, I guess. No boutique pedals that one can't buy off the shelf. No signature or pre-aged, custom $5000 guitar.

And don't get me started on extensive guitar collections, where a guy is standing in front of a room full of guitars. You know what? You only need one or two (maybe a humbucker guitar and a single coil one) and a backup or two if you're thinking about playing in public, plus maybe an acoustic. Not fifty of them. 

But I digress...

It often becomes overkill, because face it: to make good music, you don't need that much! Eric Clapton changed rock and blues guitar music by just plugging one guitar (a 1960 Gibson Les Paul) into one amp (a Marshall Bluesbreaker combo), and when he went on to form Cream he only went up to a bigger Marshall amplifier because he was suddenly playing to bigger audiences and PA systems weren't all that loud back then. 

I've seen those popular "rigs of the stars" vids where these guys have six or seven guitars, banks of amps, all this processing crap -- all doted on by techs -- and meanwhile, Eric Clapton played entire tours using just one guitar (his 'Fool', painted Gibson SG). 

In 1967 he added a wah-wah pedal, which he used on two songs only (Tales of Brave Ulysses and White Room). In 1968 he added a second guitar as a backup.

That was it.

You don't need a boatload of pedals (and other equipment) to make decent music.

I only use three or four pedals max: a Delay, a Distortion, and an Overdrive (which replaces the gain channel of whatever amp I'm running my guitar into). Sometimes I put a chorus (Boss CE-5 or Ibanez CS-505) in front of the delay. Lately, I haven't -- so I have been just using three pedals, to save on batteries. The Boss DD-3 Delay gives the guitar enough 'atmosphere' that chorus really isn't needed.

I have a Boss TU-2 tuner handy in case I need to touch up the tuning -- my guitars rarely, if ever, go out of tune. But over a week they'll fall an eighth of a tone or so. When the strings start to feel a little mushy I'll plug the guitar into the tuner and tune the strings back up to pitch. So that makes four or five pedals, max, that I actually have plugged in between guitar and amp. And I get by O.K.

DIRT BOX MANIA

All that said, after playing with some people in December 2019 and having had the experience of a) not being able to hear myself because b) I was using a strange amplifier, and c) I wasn't satisfied with my sound (which I couldn't hear anyway), I decided to re-vamp my signal chain to make it more uniform sounding -- no matter what amp I was using.

So I added to my collection of distortion units -- or "dirt boxes" as we guitarists like to call them. I've had an old MXR Distortion Plus that I used on my CD demos long ago. I used to run a wah-wah, flat out, into the MXR, and with the small practice amp I was using at the time it gave me a very easy to record, slightly Marshally sound. Many of these recordings can be heard here.:

ChrisCampbellRock | Chris Campbell Rock | Free Listening on SoundCloud 

I got a Boss DS-1 in the mid 1990s and although I haven't used it on any recordings, I practice with it from time to time. I've found it has a really good slide guitar tone, and also works well to get Pearl Jam and Nirvana-like grunge guitar tones.

In 2000 or 2001 I got a Marshall Guv'nor Plus -- a terrific, dark sounding and Marshall-like pedal that sounds like a cranked, 1980's era Marshall (think JCM800 or 900). Built like a tank, it has served me well over the years. Unfortunately they no longer make them, and if you see one for sale online they go for as much as $400.

Last Spring, after I decided to update my guitar's signal chain, I purchased a Boss Super Overdrive SD-1, which I found very useful as a dirt box for slide and rhythm. The SD-1 has been around in various forms since the late 1970's, when Boss first introduced it. It was designed to imitate a tube gain section in a tube amplifier. The SD-1 gives my guitars a nice snarl, making them sound a lot like the tone Mick Ronson got on the early David Bowie, Ziggy Stardust era records.

I then got a Boss BD-2 Blues Driver, which I found works awesomely when placed in front of the SD-1. I get a British amp tone with that combination, and combining the two I don't really need an amp with a gain channel -- any clean channel seems to do.

ENTER THE JOYO BRITISH SOUND

My most recent purchase was a JOYO BRITISH SOUND pedal, which is a knock-off (apparently) of a Tech21 British Character pedal -- an analog amplifier simulator that is supposed to sound like a Marshall Bluesbreaker amp (JTM45), or a JCM100 / Plexi Super Lead amp. From what I've seen on YouTube, the JOYO is close to the Tech21 in sound.

I was looking for a backup or replacement for my Guv'nor, as I plan to find a band to play in, and don't want to take a pedal around with me that is now valued at $400 just because it's no longer made. I saw the Joyo advertised online, and -- after checking out some YouTube reviews -- decided to buy one. The price was reasonable -- around $35-$40 US.

I was pleasantly surprised. The JOYO British Sound pedal is very good at reproducing the Marshall-like tones it is supposed to produce. I can get a Malcolm Young tone, and if I turn up a couple of controls, I can get my guitar to sound more like Angus, or Eric Clapton when he was in Cream.

IT'S ALL IN THE CONTROLS

The JOYO British Sound pedal has six controls: Bass, Midrange and Treble on the top side, and Drive, Voice and Gain on the bottom.

They all seem to interact with each other a little bit; with the bottom row of controls definitely interacting with each other.

The JOYO's top controls (the tone controls) basically act like they do on your average guitar amp. I have the tone controls on my Joyo set low because #1, I don't like screaming midrange (Slash's tone is not for me), #2, my main amp is bassy enough as is, and #3 I don't like tons of treble in my guitar tone, and my guitars already have treble to burn.

So I have the tone controls set low -- ironically, close to where Angus Young has his tone controls set on his main amp.

Two dirt boxes designed to make your amp sound like a Marshall (or other, similar sounding British amplifier) -- the JOYO British Sound on the left, and the 2001 Marshall Guv'nor Plus on the right. To simplify the differences: the JOYO gets you closer to Paul Kossoff, Eric Clapton, or Angus and Malcolm Young on their first Australian albums, and the Guv'nor makes you sound more like Angus now. Oh, yeah: you can get a JOYO online, new, at a decent price. You can only get a Guv'nor online used, at $200 or more.

Now we get to the bottom row of the JOYO's controls, the row of controls that really make this box sound like a Marshall. The bottom controls are "Level", "Voice", and "Drive".:

The Level knob (the JOYO's overall 'volume' control) I usually have set high, so it will max the volume coming out of the amp, without making the guitar sound muddy or squishy.

This leaves the last two controls -- Voice and Drive -- which determine the 'color' of your overall sound. The Voice control, in the middle, determines how the pedal reacts to distortion and midrange. When you turn it to the left, it's more scooped, and the pedal will distort a bit less -- think Bluesbreaker amp (Clapton when he was with John Mayall) or Malcolm Young. Turn the Voice pedal past noon and you're entering into Marshall Super Lead / Super Bass and Plexi territory (Paul Kossoff, Angus Young, Eric Clapton in Cream). The "Drive" control is a gain control that determines your overall distortion level -- however, it interacts with the Voice control, so they both work off of each other.

I usually have my Voice control between 10 o'clock ad 2 o'clock, depending on the type of crunch I want to hear. I have my "Drive" control between 9 o'clock (for Malcolm Young like sounds with my humbucker guitars) and one o'clock (for my Daimaru Fender Jag knock-off, which has low output single coils), for more sizzle and crunch.

The only negative in the JOYO pedal that I experience is there is a ton of treble to spare. I have my JOYO's treble control cranked to zero, and even though the SD-1 cuts down some treble, I still have the treble reduced at the amplifier. It's not really a problem with the JOYO box, because no one on the internet complains about it -- but I just don't like really bright guitar sounds, so it's my own preference. I prefer a darker tone, and my ceramic-magnet pickup equipped guitars are bright enough to provide more than enough treble than I need.

A pic of the JOYO British Sound box with the battery so weak that the box is hissing very loudly. As you can see, the LED is still fairly bright -- even though my camera probably makes it a little bit brighter than it was to the human eye, it still is brighter than your typical Boss or Ibanez stomp box LED when the battery is next to dead.

Here is a pic of the JOYO British Sound pedal with a fresh battery. Same camera, same general lighting. The difference between the brightness of the LEDs in the pics is fairly apparent. The level of hiss in the JOYO with a fresh, or good battery isn't enough to bother me. It's more of a background hiss, that instantly gets covered by the guitar.

HISSSSSSSSSSSSSS

I have found that battery life with the JOYO is really good. The first battery lasted me about five or six months. The LED has remained bright the entire time, and I noticed no weakening of signal from the box, either. Amazing.

However, a couple nights ago, things took a sudden turn for the worse.

Now, most dirt boxes put out a little hiss -- depending on the box, of course. Even some amps put out some hiss. I've heard Van Halen concerts on YouTube, where Eddie Van Halen's amps were hissing a little in between songs.

With a new battery, there was a little hiss with the JOYO, but not enough to worry about.

Two nights ago, suddenly I was hearing tons of hiss. If you've ever heard a steam train, or a pressure cooker releasing its steam -- it was almost to that level.

I also noticed that I also had to crank the gain higher than usual to get distortion. The clarity was still there, though. The pedal didn't sound muddy like other gain pedals do when the battery weakens. It just didn't distort as easily.

So I had a pedal that had lower distortion, still had clarity, but a lot of HISS.... and the LED was still bright. I was puzzled.

I did an online search. Some guy had once bought two JOYO pedals and they both had hiss. No one on that forum could give him any decent answers. Then I thought about the battery. What if the battery actually was LOW, even though the LED was still bright?

I took the back of the battery compartment and replaced the battery on the JOYO.

I plugged the JOYO back into my guitar signal chain (guitar > JOYO > Boss SD-1 > Fender Tweed Bronco clean channel).

Instantly, the excess hiss was GONE! More signal. More crunch and distortion! Normal operation!

The LED on the JOYO pedal was brighter with the new battery, but the difference wasn't as great as you have on other brands of guitar pedals. The LED on the JOYO British Sound darkens slightly as the battery weakens, but not like other brands of pedals. You will know you need a new battery when you hear a LOT of hiss.

So if you have a JOYO pedal, and you're experiencing excess hiss: CHANGE THE BATTERY!!!


My Hawthorn tree is just starting to bud. Usually by April 5th, the trees have already put out their new leaves, making the hillsides of the valley a bright shade of cheery green. Not this year. The past three years have seen the leaving of the trees occurring a week or so late, even with mild Winters. This year it looks like the trees may be two to three weeks late.

IN OTHER, NON-MUSICAL THINGS

Aside from the recent encounter with hiss on my Joyo pedal, nothing really is going on. 

Work is still happening, and our state is slowly opening up, but it's a slow process. I still haven't gotten a corona shot and still don't know when I will be able to. As my foreign readers are probably aware, we here in the U.S. have a mish-mash, hodgepodge, throw-together health care system that the government regulates, but doesn't run, so things like vaccination programs are left to the states, counties, and local health districts. It's times like these that the proponents of nationalized health care definitely have a point.

I know it's worse for some people in other areas of the world, where there are issues even getting vaccine to their country. I really feel for them, because right now I understand at least a little bit of what they face.

Near the end of the first week of April -- April 6th, in fact -- and the temperature at 6 in the morning is just below freezing: 29 degrees F / -1C. There was a light dusting of frost on my car as well. Horrible Spring weather. I took this photo about an hour or so before finally posting this article. The article describes cold temperatures, but not 29 degrees!

As for the season normally called Spring, it still sometimes feels like Winter. The weather here basically sucks. The rain has stopped, but it's COLD.

Last night it was a few degrees about freezing (37F, which is around 3 degrees C). Two nights before that it was 0 degrees C (32F -- FREEZING). And this is the last few days before April. In a normal March, the nights will be around 45F or so (7-8C?) and around 55-60F during the day (12-14C?).

The trees are still bare. You can't see any leaf buds. In normal years the trees are bright green by April 5th -- which means their leaves are out, but still just barely.

Not this year, probably, if our present weather is any indication.

A hillside which appears in one or two other photos I've placed in blog posts over the past few years (the August, 2017 Solar Eclipse article being one of them). The tall, conical shaped green trees on the hill are Douglas Firs and Spruces. The brown? That's bare tree branches of Cottonwoods and Oregon Big Leaf Maples. On normal years, those trees are always a light green by April 5th. It's been that way as long as I can remember. Back in 2003 and 2004 I started marking it down on the calendar, and April 5th was always the day the trees were leaved and green. Not this year -- and 2018, 2019, and 2020 weren't any better.

My radio hobby is about the same as last time. I tune around the MW/AM band about once an evening, generally hearing the same 300 or so stations. Some nights and mornings are more blah, DX-wise, than others. A few early mornings 1600 AM will be cluttered with stations, but nothing will stick out (I listen to KVRI 1600 a lot because of the Sikh and Punjabi music they play). I heard a heterodyne on 1590 the other morning (possibly the 1593 khz station in China that is 400 KW?) but there was no audio.

In the location where I live, surrounded by hills, heterodynes (signals from across the Pacific) rarely turn into audio. The last time I heard a heterodyne turn into audio was three or four years ago, when the powerhouse station in Korea on 1566 Khz was just audible, in the Korean language. That was pretty cool to hear on my Sangean PR-D5!

TO THOSE OF YOU OVERSEAS

I have been reading about the situation in Europe, and really feel for the people over there. I've mentioned before, I have a few online friends in Germany, Austria and Norway, and although they're doing O.K. personally, they're stressed out because of the vaccine situation and the lockdowns.

My prayers go out to all of you overseas.

I hope to post a new radio-hobby article before mid-April. It just needs some good photos.

Until then,

Stay safe, everyone, and thank you for reading my blog. I check my stats periodically, and almost half of my readers are from outside the United States. I appreciate each and every one of you.

C.C. March 31st, 2021, with photos added on April 6th.