AUSTRALIAN AM STATION 6WF to Leave the AM band for FM

The transmitting tower for sunny Perth, Australia's ABC radio station 6WF, which is moving from the AM band to the FM band after decades of serving Perth and a large part of SW Western Australia.

If you look closely, you can see the Perth skyline in the far background. The tower is in the Perth suburb of Hamerslsy, in the northern part of the city. 

photo from ABC.net.au

A radio station I used to listen to -- at least when they had a shortwave relay -- is leaving the AM band for FM in late February this year, after 94 years on the AM band.

6WF, Perth, Australia's main ABC Radio outlet, is being moved to FM as the ABC determines that with more and more cars being FM only, taking 6WF off the AM band is the best way to serve listeners. The switchover from AM to FM will occur on February 23rd.

6WF-AM has been on the air in the Perth region for 94 years, as the transmitter installation and tower date from 1934.

For those who don't know it, Perth is a large city of two million people on the Indian Ocean, and it's the capital of Western Australia, Australia's largest state by area. Perth is also known as the 'most isolated capital city in the world', being that it is farther from other metros than nearly every other national or state capital on the planet.

A CITY WITH AN EXTENSIVE MUSICAL HISTORY

Perth is the city where late AC/DC singer Bon Scott lived as a kid, after his family moved there from Kirriemuir in Scotland. He got his musical start there as a singer for the Valentines. The Australian rock band INXS also got their careers kickstarted in Perth (they were in Perth for 10 months, as the 'Vegetables'). The lead guitarist for the Divinyls, Mark McEntee, was from Perth, and the excellent Aussie glam rock band Supernaut were also from Perth.

I used to listen to 6WF back when I got my first good Shortwave radio, my Realistic DX-160, which was a Christmas gift. With that radio I listened to a lot of different stations, including Radio Australia, various Indonesian stations at night, 'tropical band' radio stations out of Venezuela and Columbia, and 6WF.

SHORTWAVE RELAY STATIONS FOR THE OUTBACK

How could I receive 6WF? Well, back in the day the ABC had several Shortwave outlets to serve the Outback and desert regions of the Australian interior, and being that more than half of Western Australia is desert, with a lot of isolated mining towns, other small towns and farming and other 'stations' in the interior, SW was the best way to reach those people. 

Queensland also had a Shortwave relay station, VLW4, which I think I heard once. It was used to beam ABC radio to the Outback from Brisbane. The Western Australian shortwave relay came in better here, I think because they beamed their signal more in my direction.

The 6WF shortwave relay was officially called VLW6, and their frequency was in the 31 Meter Band. One night (early a.m., actually), I heard a DJ on 6WF play a bunch of music by the La De Da's (including their cool song 'The Place'), and another night he played almost half an album by the band called Flowers, which changed their name to Icehouse.

The transmitter cable for 50KW AM station 6WF in Perth.

photo from ABC.net.au

The shortwave relay station always identified as '6WF/6WN'. The relationship between the two ABC stations I never clearly understood, but 6WF was the main one.

During the early 2000's when I discovered online radio I 'tuned in' to 6WF a few times, as by then they'd switched off the Shortwave relay.

Of course, today Australia has no Shortwave presence at all, aside from the Reach Out Australia religious station in Kununurra, in the Kimberley district of NW Australia. They broadcast religious programs to ethnic minorities in Southern and SE Asia. I posted a short article on Reach Out Australia and my hearing them a couple years ago, which you can read here.:

https://interrocknation.blogspot.com/2024/05/dxing-reach-beyond-australia-hearing.html

The ABC, thanks to the Australian government, pulled the plug on Radio Australia about 6 or 7 years ago, in a move that not only saddened SWL's all over the world, but maddened rural people in the Australian Outback who depended on Radio Australia for news and information.

It's another case of governments not caring about serving people in rural areas. The US took a similar move with pulling the plug on VOA, which took America's message to rural people in Africa and Asia.

You can read the ABC.net.au article on 6WF here.:

https://www.abc.net.au/news/2026-02-15/perth-am-to-fm-switch-goes-ahead/106343336

IN OTHER LIFE....

The weather here has taken a turn for the cold again, after a two week respite. The barometer has fallen below 30 inches of mercury, which usually means a low pressure system, which usually means more rain, which usually means higher temperatures in Winter. But that's clearly not the case.

I recently rediscovered my Dad's old barometer -- it's a Stellar brand barometer made in what was then called Western Germany. It seems to be reasonably accurate, despite its age. It's been through a bit over the years. An uncle who was staying with us in the 1980's put it in the trash in a drunken rage, and my former GF shoved it in a box of junk because she didn't know that a) it had been in my family for years, and b) I don't think she really knew what a barometer was.

I'm still not sure if you can forecast the weather by reading the changes in a barometer, but it's still cool to track it.

ON SHORTWAVE, THERE IS NOTHING ON BUT HF STOCK TRADERS

OK, I may be exaggerating here a bit, but not really. High Frequency Stock traders -- a.k.a. 'HFT' stations -- get a lot of criticism from hams and SWL's, but they really aren't taking over the SW spectrum. How can they, especially when the SW spectrum is increasingly nothing but static?

And if you look at the actual number of these HFT stations, there really aren't that many of them. Those stations do put out a pretty solid signal, though, and even when the ionosphere is DOWN, their signals still seem to be UP. At least one of them I've heard recently blasts out a massive signal.

HFT aside, radio here has been a bit dull lately. The Shortwave radio conditions have been absolutely abysmal. Last night I tuned around and there was nothing but static, a couple weak ham radio operators out of Oregon, Nevada and California that I couldn't read through the static, and a digital HFT transmission on 6838 kHz, which was around S3 out of 5, signal-wise. I have no idea where this HFT station is located. Most of the known HFT transmitters are in Illinois, but this signal is too strong for Illinois. I only know it as an HFT (High Frequency Trading) station because signals experts on HFU and elsewhere have said the 6838 Digital hash is HFT. 

One of them said that the HFT Digital signal I'm hearing on 6838 kHz, which slams all my radios with S3-S5 signals (even my little XHDATA D-221 picks that signal up -- just off the whip!), may be located in Ritzville, WA -- a small town in Eastern Washington, about 250 miles east of me, in the middle of desert and wheat country.

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EDIT to ADD: About a week after posting this article, I did some research, and I do not think the Digital hash station I'm hearing on 6838 kHz is in Ritzville, as I've looked at the maps online and the FCC address for the Ritzville experimental station shows nothing but sagebrush, and a few curious looking spots that look like boreholes. No towers, no shadows that would indicate towers -- no powerlines, no access roads, really. 

So I don't know what it is I'm hearing on 6838 kHz. It is, so far, a mystery. It also might not even be HFT.

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This begs the question: if that station is indeed in Ritzville, why is a High Frequency Trading station located in WA state, and slamming the airwaves with a signal that is estimated to be 400 KW PEP? Are they sending trading data to Japan? South Korea? Taiwan?

Who knows.

When the station on 6838 is not transmitting Digital hash, it often just puts out a carrier. There is another carrier, on 6938, that I often hear. I've not yet heard a digital signal on that frequency.

Down below the 40 Meter ham band is a lot of interesting stuff -- pirates, Indonesian chanters, Latin American fishermen, mystery carriers and military signals, Chinese OTHR, and now, apparently, High Frequency Trading stations. Of course, you'll only hear most of this when the ionosphere is UP. When the ionosphere is DOWN, you don't hear anything except the strongest signals.

And most of Shortwave is basically dead right now. And we're supposedly still in a peak solar cycle period. I'm not buying it, of course. I've said before that this Solar cycle sucks, and I think the relatively dead SW conditions back that assertion up.

EUV is down, and eUV is what makes the ionosphere ionized, and according to NASA, the ionosphere is less ionized than it was in 1995 -- eUV ionization has been consequently dropping since then, and who knows when it will come back?

I've got no idea about that.... Solutions to that problem are far above my pay grade. :-)

BACK TO MEDIUM WAVE

Consequently, I'm getting back into my first radio 'love', MW DXing. Now, the ionosphere sucking also affects the AM band, but there still is plenty to hear on the AM band, especially if you have a good radio and a loop antenna. After a night of hearing nothing but static and unreadable signals (and HFT digital hash) on Shortwave, I grabbed my trusty Sangean PR-D4W and tuned the AM band. It was like night and day. 

I didn't hear any super DX, but I listened to KOAC out of Corvallis, Oregon (550 kHz), with a BBC special on the Indian economy, and then heard some music on KSWB, Seaside OR (840 kHz) and some cool classic hits on CKOR Penticton BC (800 kHz). And it was all in high fidelity, as the PR-D4W has the best sound and performance of any MW radio I own.

You don't even really need an external loop with the PR-D4W, but a loop like the AN-200 will add a db or so, which helps with the weaker stations.

DSP SSB Radios -- they work really well

I'm working on an article about 3 DSP/SSB radios I bought last year -- the Tecsun PL-330, XHDATA D808 and Raddy RF760. My PL-330 has gotten heavy use over the past year, but I've noticed that it does overload, especially on the CB band, and when there is strong, pulse-type RFI. 

A 150 ohm resister clipped between the wire antenna and the Tecsun's whip antenna seems to have cured most of that. I'm hoping the issue (bleedover, blocking, AGC over-reacting to changes in signals, unexpected whistles here and there) is just overloading. We'll see.

I'm also working on an article about a music scene that rose and sort of fell -- the Norway pop music scene, which seemed to really put out a lot of great music ni 2014. That article will come along in 3-4 weeks.

I'll close this article with a great track by the NZ/Oz band The La De Da's, who -- when they made this track -- were headed by guitarist Kevin Borich, who then went on to have a lengthy solo career in Australia.

This is the track I heard on 6WF one warm summer night. "The Place".:

And this track by FLOWERS, the band that became ICEHOUSE, was played a few years later on, some time before 6WF's Shortwave relay went off the air. The song is 'Skin".:

This track, one of my favorites by ICEHOUSE, was not played on 6WF, but it's one of Icehouse's better tracks, from 1984, 'Sidewalk". It's got a kickass bass line and guitar chords, and really cool use of the Fairlight Computer.:

Until next time, stay warm, friends (for those of you in the Northern Hemisphere). 

Peace.

C.C., Feb. 19th, 2026.

ADDENDUM, February 25th, 2026:

As I added -- in blue -- in this article, I am not sure the Digital hash station I'm hearing on 6838 kHz is High Frequency Trading, and I'm certain it's NOT in Ritzville, WA, because I looked at the online maps -- both Google and Bing maps -- and see nothing but a flat plot of land with sagebrush at the location where the FCC license address says the Ritzville experimental station is. So I do not know what I'm hearing. But it's digital, and it's noisy, and it runs at various hours during the day, for hours at a time. The typical transmission is around 20-30 seconds of digital hash, with the beginning of it having quick 'pulses', and the ending of it having even quicker 'pulses', and there are one second stops, roughly, between the transmissions.

There are no CW / Morse Code ID's whatsoever -- something that apparently is required by the FCC for HFT stations. So this station may not be HFT at all, because in over an hour of listening to this digital racket on my DX-440 this evening, I have not heard one Morse Code ID.

So where, and what, is this station? Who does it transmit to? Japan? Asia? The Pacific in general, if it happens to be military? Who knows?

Another CANADIAN AM Radio Station Bites the Dust: RIP CJVB 1470; & Hello Qodosen DX-286

CJVB 1470, a long time Chinese language broadcaster out of Vancouver, BC Canada, is going off the air. Its owner, Fairchild Radio (Vancouver FM) Ltd, which also runs an FM station out of Vancouver (CHKG-FM), is pulling the plug on CJVB and they're going to be FM only. The switching off of CJVB appears slated for March.

The CRTC (Canada's communications arm, which regulates Radio there) has approved the shutting down of CJVB.

The reasons for the shut down are decreased revenue, and increased costs -- an issue that is hitting most Radio stations in the US and Canada -- whether FM or AM.

Fairchild, in a request sent to the CRTC in June, stated that "both the stations have experienced decreased advertising and airtime brokerage sales," and that "the operating costs for the two stations [CJVB and CHKG-FM] continue to increase and that the stations have sustained significant losses for several years."

Furthermore, Fairchild said that the two stations, AM and FM, had "incurred significant economic losses for the past five years, and that it expects this trend to continue in the foreseeable future."

It looks like the Pandemic economy hurt CJVB and it's FM sister station, just as it's slammed a lot of radio stations since 2020.

Fairchild said they would transfer a block of Chinese programming to CHKG after CJVB is pulled off the air, and that the block of Chinese language programming would be from 6 a.m. to 3 p.m.

It's a sad case but increasingly common in Radio, and not just AM. As I've posted in several articles over the past two to three years, it's not just AM stations going off the air, but also some FM's are seeing their plugs pulled also. It's because of the reasons that Fairchild told the CRTC -- decreased revenues, and increasing costs.

Even highly rated, local NPR station KUOW-FM had to cut some staff last year because of increased costs. They had record donations, and increased revenues, but the increasing costs outweighed the increase in revenues.

CJVB has always been a barn burner signal here in Seattle. Vancouver is just 130 or so air miles north of us, and CJVB has had a really good signal, with their transmitters not too far from the water in Richmond, BC.

Now it appears that KELA, Centralia, WA -- just 100 miles south of me -- will dominate the 1470 frequency in the NW US and SW Canada, once CJVB is switched off. CJVB is due to have its license revoked on March 6th, 2026.

The first time I noticed CJVB was when I got my Sanyo Boombox for Christmas, in 1982.It was my first FM Stereo radio, and the AM side was a good performer. Not only did I discover New Wave music (on the former 'The Wave' KYYX 96 FM) I rediscovered AM Band DXing, and CJVB was hard to 'null' to hear other stations on 1470. They were easy to ID because of the Chinese language programming, and Chinese (or any other Asian language) programming was rare to hear on the radio -- AM or FM -- in the 1980's.

So CJVB really stuck out on the AM band at night.

Now, obviously, after CJVB goes off the air early next year, nulling that signal won't be an issue. 

It's too bad, because recently they've been playing a lot of cool Asian rock and pop music at night. I recently heard a song sung by a guy in Chinese, which sounded like a pop-rock song from 2000 or 2001, complete with a lead guitar that sounded like it was right from that era (an Alice In Chains style wah-wah). 

Looks like there's just 2-3 more months to hear it before it's off the airwaves.

And so it goes. So long, CJVB. You had a good run.

That's about it for now. Life has gone normally. I've been having some internet issues, and the repair people never seem to really fix them 100%. It's frustrating. The internet cuts out, even though the connection is good. I think it might be my router, but the repair people said they think it's still good. I'm beginning to doubt their expertise or credibility anymore.

Other than that, my new cat, now named 'Bear', is finally getting used to me. She waits by the door to her room for me to go in and feed her and pet her. I'm still leaving her in my upstairs bathroom so she has her own space. With cats, change = bad. So I give her her own space, and in a month or so I'll see if she comes out and checks out the rest of the house.

GETTING A QODOSEN DX-286

I also got a new radio, a Qodosen DX-286, which a lot of people rave about. I got it on my late father's 100th birthday, December 10th. Dad was the one who got me into radio, and into listening to SW radio and long distance MW radio. He taught me that the key to hearing distant stations was to 'tune slowly, and listen carefully', something I'm sure he learned from his father, my grandfather, who built radios, including a tube shortwave radio.

The DX-286 has an NXP, TEF chip in it, that is the same type of chip used in the Sony XDR's that were popular with FM DXers in the 2000's and 2010's. The TEF chips are also used in car dash radio systems, and the chips are known for excellent reception, both on FM, AM, and SW.

My first impression with the DX-286 is that it's very good on MW and SW. It picks up MW as good as my Sony XDR does -- very clear reception, and the AGC is tight, without pumping. I'm still putting the DX-286 through its paces. So far, I think it's a good radio, well worth the money.

ONE WATT AUDIO CHIP, GOOD RECEPTION OVERALL

It has a rep for eating batteries -- but the audio chip puts out ONE WATT. That's a lot of audio power, and it takes a lot of juice to drive a ONE WATT AF chip. So if you want to increase time between charges when using a DX-286, use headphones, or keep that volume down. :-)

Good clear audio on this radio, though. I'm impressed.

SOME 'TIC' NOISES, that disappear when you use a LOOP

There is only one minor glitch I've found with the DX-286. The radio puts out two 'ticks' per second, which are audible on 810, 820 and some lower channels on the AM band. I think it has something to do with the clock function for the microprocessor. My Grundig G2 has the same issue, except it receives the 'ticks' on a lot more channels.

The DX-286 only get these 'tick' noises on headphones. Not on the speaker. Which leads me to believe that the radio's headphone amp is near a clock function of some sort (the DX-286 has two audio amp chips -- the one watt chip for the speaker and a lower wattage chip that drives the headphones).

The happy part of this is that when I use an external loop on MW, the tick noises disappear from 810, 820, etc. So the issue really doesn't bother me.

....IN OTHER LIFE

Aside from all that -- all is about as well as it can be. If I don't post another article before then, Merry Christmas to all my readers, wherever you are.

My family won't be having a get-together for this Christmas, so I will celebrate alone, just me and my cat. I'll probably play Silent Night and The First Noel on my bagpipes, outside, for the neighbors, and maybe write a Christmas-themed fiction tale.

Talk to you soon, internet connection willing....

Peace.

C.C. Friday, December 19th, 2025

TRICK-OR-TREAT 2025, and SWLing without Up-to-Date SW Schedules

 

A blast from the past -- a pumpkin I carved for Halloween, 2010!

This was the first or second time I used a stencil I had bought with some pumpkin carving tools at a local box store. A moon and stars -- and if you look at the Jack O' Lantern at an angle, it's also a face.

Today, as I start this article, it is All Soul's Day, November 2nd, and it's rainy out. Not too cold, but dreary weather, which matches the month, being that November is the shittiest month of the year. 

Two nights ago it was Halloween. I had 15 Jack O' Lanterns out, so the front of my house and drive looked fairly cheery. I got about 11-12 trick-or-treaters -- three groups of them -- who braved the light rain and I gave them all extra candy, being that I had a couple bags of it.

I also played my bagpipes outside after the first group of trick-or-treaters left. The new reed I had in my pipe chanter held up really well, and I'm finally getting used to the easier air pressure needed to play the instrument. I played the closest thing I know that sounds 'spooky', a tune called The Dark Island. I don't know if anyone heard it, being that there were few trick-or-treaters out on the streets of my neighborhood, and it was drizzling.

Here is a piper who calls herself the Dark Isle Bagpiper, playing The Dark Island. She adds some Irish trills and plays the tune slightly differently from the way I learned it, but the basic tune is the same. She is playing this tune in Greenland, although she is based out of LA. The Dark Isle Bagpiper has played pipes on several TV shows. If you check out her vids on YT, she plays a lot of really good slow airs, and other tunes, too.

I also was fighting off a cold, so when the night was done I took some extra zinc and echinacea, and spent some time clearing files off my laptop computer before I went to bed. I've found that extra sleep helps kill colds. The zinc tabs help, too.

WRESTLING WITH CONSTANT UPDATES

My computer is over 8 years old, and it needs a lot of older files removed, because the hard drive is getting full -- not just full from my files over the years, but the endless plethora of mostly useless, bloatware updates all have been gradually filling my hard drive with their code.

For the life of me, with all the gigabytes of updates that slam my computer a few times a month, nothing seems to run better. All those 'improvements' never really improve anything. Some of the updates were AI-related programs I didn't ask for, and don't want on my computer because they just take up resources and I never use them.

They always say the updates are for security, but do you really need to slam someone's computer with multiple gigabytes of updates over a period of several months, just for security? How many gigabytes does it take to make a program, app, or OS 'secure'?

Oftentimes, when the updates are kicking in, my computer slows down. I'll hear my hard drive being slammed. In fact, I just heard my hard drive being slammed as I was typing this sentence, and -- looking at Task Manager -- it was another bunch of bloatware updates trying to cram into my laptop.

I'll spend several hours removing files onto a USB drive, and soon enough, the various, bloatware updates will fill it right back up. So far over the past several days, I've cleared off over 2-3 gigabytes of space, only to see it quickly filled by update bullshit.

It's maddening. And it isn't just the company that made the OS. Both browsers push their updates, and a PDF reader's updates slow my computer to a crawl when they kick in. I'm figuring out how to stop all updating, because frankly I don't think they make the computer any more secure, and they definitely don't improve anything.

So it's been an ongoing fight with the software companies, whose 'business model' seems to be to piss off as many people as possible.

NO REAL PLANS, EXCEPT GET THROUGH NOVEMBER

As for the rest of this month, I really don't plan on doing much aside from continuing to straighten out finances and get through November, which is a cold, rainy, dreary month. And, frankly, Novembers are months where people in my family, extended family, and several of my cats have died. Not good overall.

CQ Magazine's DX 'Zones', which ham radio operators use during the big radio contests.

DX HAS BEEN TOUCH AND GO...

On the radio and DX side of things, the ionosphere has been touch and go lately. The past couple days have been mediocre, and the week or two before that, there were a few good mornings and nights to switch on the radio and tune around.

A couple weekends ago, there was a ham radio contest, the biggest contest of the year, the CQWW contest, where ham radio operators all over the world try to contact as many other hams as possible, in as many ham radio 'zones' as possible. 

I tuned in during the morning after it started, and the HF ham bands were quite lively. Even 15 Meters had a considerable amount of activity, which was a pleasant surprise. 15 Meters used to be a popular ham band. I recall hearing LOTS of activity on 15 Meters during the summer afternoons in the early 1980's. That's when I heard A7XB out of Qatar. But ever since the last Solar Cycle died off in late 2017, 15 Meters has never been the same. Most afternoons I'd tune it in during the peak year last year, 15 Meters was like 12 Meters -- mostly a ghost town.

Even 20 Meters is not what it used to be. Every Saturday afternoon 20 Meters used to be wall to wall CW and SSB signals, invariably, with most of them splattering on each other. This recent CQWW contest was the first time I've heard 20 Meters so packed in ages. It reminded me of how the band used to be on a typical weekend afternoon.

It was refreshing.

WHEN SW SCHEDULES CHANGE OVER, YOU GET CREATIVE

This is also the time of the year when SW DXers have to be creative when figuring out what they are hearing. Most SW broadcasts anymore are in non-English languages, so even if you can ID the language, it doesn't necessarily follow that you can understand what's being said. So you have to listen to the TYPE of broadcasts, and tone of it. Does it sound like news? A feature? An interview? Does the programming match the BBC, or CNR-1, or NHK?

And the online SW schedules are a bit off, because it takes some time for their creators to compile the new broadcast information, because the end of October is when SW stations all change their schedules.

So, you get creative. The other morning, I heard Japanese on 7380 kHz (at 0522 UTC), that sounded like NHK. But neither EiBi or Short-wave.info had ANY Japanese programming listed that frequency and hour. I was sure it was NHK in Japanese, but had no schedule info to back up my suspicion.

So I went to Short-wave.info and used the 'Any Station' dropdown and 'Japanese language' dropdown, and I found out that NHK had a regular broadcast in Japanese to SE Asia during that hour. They had moved their frequency lower to the 41 Meter Band from the 25 and 21 Meter Bands because the 41 Meter band is more of a Winter SW band.

Remember, SW listeners -- there are ways to find out what you're hearing, even if the SW lists online are getting out of date. ID the language. LISTEN to the programming, even if you do not know the language! Does it sound like CNR-!? Does it sound like the BBC? Does it sound like NHK? 

A lot of American SWL's bitch and gripe about most SW being in non-English languages. But griping about most SW being non-English is backwards thinking. A lot of the non-English programming is pretty cool to listen to -- and even if you don't understand the language, it doesn't mean you can't ID the station or the program.

I've learned to ID non-English languages, and find it challenging. I also have learned that a lot of the non-English stations play really cool music -- music I'd never hear on US radio. Japan has some really cool soft pop-rock hits from the 70's that NHK plays. I've heard some great K-pop on KBS World Radio. CRI plays some great music, too. And a lot of SWL's poke fun at Radio North Korea, but the music they play is interesting, and very well made -- their musicians are excellent.

I've heard really cool stuff on CNR-1. They have kids' programming over the weekend mornings (evenings, China time). Imagine that: a radio company that cares enough about kids to program a radio show for them. Doesn't happen here in the US or Canada. The last radio company that catered to kids -- Radio Disney -- pulled the plug completely in 2019.

But CNR-1, China's national broadcaster, that has numerous transmitters on SW, has a radio play or storytelling episode for kids that you can hear during the mornings, US time, every weekend.

American DXers and SWLs, open your ears!

MORE MYSTERIOUS SIGNALS NEAR THE 40 METER BAND

The only other radio 'catches' of note have been mystery carriers -- dead signals that have appeared over several nights just below the 40 Meter Ham band.

I've logged a dead carrier at 7000 kHz over several nights and mornings, and others have shown up on 6988 kHz, 6938 kHz, and more recently, 6979 kHz.

What the purpose of these dead carriers -- if any -- happens to be is a good question. No one in the SWL community seems to know. The dead carriers don't get mentioned much online, but there have been some SWL's on HFU (HFUnderground) who have logged them.

I also heard a single letter beacon on 7057 kHz, a continuous 'F' being sent, and it was very weak in strength. I haven't heard it since. Most 'single letter beacons', which are continuous repetitions of the same letter in Morse Code, are associated with the Russian military, particularly the Russian Navy, and their frequencies are well known, and appear in many SW lists. But this 'F' beacon on 7057 is a mystery.

There are a lot of such strange oddities in the SW bands. You just have to tune around and listen to catch them.

MYSTERY RANCHERO MUSIC ON 1560 kHz

One other 'mystery' signal wasn't as bizarre as a Morse Code blipping away in the ether, or a dead signal, but I heard a mystery ranchero music station on 1560 kHz last night (the night of the 3rd) beaming mostly North-South.

Usually on 1560 I hear a mix of just two stations -- KNZR Bakersfield, which is a news-talk station that comes in with varying strengths, and KVAN, Tri-Cities WA, which is a Spanish language religious station. This station was neither.

The only ranchero station on 1560 is a daytimer, KIQS, Willow, California -- but when I checked their stream, it was not the same music as what I was hearing on the radio. And KVAN does NOT play ranchero, nor do they have rapidfire announcements and advertisements.

A view from Interstate 5 not too far from Montague, California. Much of the far north of California looks like this -- green and golden ranch country.

pic courtesy Dreamstime

MONTAGUE, CALIFORNIA CHECKS IN ON LONGWAVE

Last but not least, the past few evenings I've gotten really decent catches of a Longwave beacon out of Northern California -- MOG, out of Montague, a small town not too far from Yreka, which is the first city you hit on I-5 after crossing the Oregon/California border.

I recently got an XHDATA D808, and it's great on Longwave. It's possibly my best Longwave radio. That said, there isn't much on Longwave anymore -- the few aeronautical beacons are disappearing. The maritime Longwave beacons disappeared years ago.

But it's great to hear MOG, beeping away.

Well, that's about it for now. I'll close this article with another old Halloween pic. I couldn't take any on my phone or camera because their memories are also full and need to be cleared.

A pumpkin I put in my tree, on Halloween 2023.

Peace.

C.C., November 4th, 2025

Auroral DX on the MW/AM band! OCTOBER 14th & 15th, 2024

My Realistic DX-350A, which for a few years in the 2010's was my mainstay MW DX radio, in front of my Crate loop I made in 2011. I still DX with the DX-350A maybe once or twice a month.... Radios are meant to be played.

Dear Readers: Here is a blog article I'd forgotten about -- I wrote it after a flurry of MW Auroral DX, where the ionosphere makes MW distance listening interesting by boosting signals from Southern US regions. Sorry for the delay, but here 'tis. 

Recently, as even non-radio hobbyists know, we've had a flurry of Auroral activity in the Northern Hemisphere (where there was any in the Southern Hemisphere I don't know -- it obviously didn't make the news here).

When there is Auroral activity, sometimes the Northern Lights show up as far south as the northern tier of US states. And the Shortwave and Mediumwave radio bands are affected as well. The extra solar radiation zaps the ionosphere and makes it absorb radio signals instead of reflect them back to Earth.

The overall effects of an Aurora can vary -- usually there are 'radio blackouts' (as just described). You'll hear distant signals on the SW or MW bands get weaker and weaker as the Aurora hits -- or you'll turn on your radio one night and there's nothing but grainy sounding static.

This happened recently. About three nights ago I turned on my Realistic DX-394 and tuned the SW ham bands. There was very low activity, and as I was tuning through the 40 Meter ham band, any and all signals just faded down to nothing. It was the same thing with the 30M ham band, and the 20M ham band.

The Shortwave broadcast bands were mostly dead. 49 Meters had non-existent audio for WRMI, WWCR, and Radio Marti was barely audible in the grainy static. A couple other stations that are usually on during the evening -- Radio Educacion on 6185 kHz, and Nikkei 1 and 2 on 6055 and 6115, were extremely weak carriers that even the BFO barely made audible -- you had to listen for them.

MW was like a poor summer night.

Then, after a day or so, the Aurora dissipated. When that happens, often it's a fun time to DX the AM band, because here in the PNW US that means that California, Nevada, and sometimes Mexican radio stations will show up!

On the night of the 14th, it was exactly that way. Some Northwest mainstays like KOAC 550 (Corvallis Oregon), KXTG 750 (Portland, Oregon), CBK 540 (Saskatchewan), KONA 610 (Pasco, Washington), and other regional stations were completely gone, replaced by other weaker signals from further south, or just static.

KXTG 750 was missing -- 750 kHz was just static. KOAC 550 (normally always dominant on 550) was gone, replaced by a very weak KARI Blaine WA (about 150 miles north of me), and 

The next night, the AM band returned at least partly to normal. KOAC 550 was in with Oregon Public Radio news, but conditions overall were a little different from normal. Some regular stations weren't in well, and I heard a few California stations much, much better than normally!

On 1270 kHz, I heard KXBX Lakeport, California with Classic Hits, and I also heard KBZZ Reno with Classic Rock and a full, "92.5 The Hawk!" ID! (Actually, they're called "The Hog"). I haven't heard KBZZ since it was a sports station back in the early 2010's! I also heard KEAR 610, a religious station out of San Francisco that plays soft music and hymns at night, and KLBS Los Banos, California, was in on 1270 also! They have Portuguese language talk and music, serving the Portuguese speaking people in the San Joaquin Valley of Central California.

A pic of my Sangean PR-D5 during better days, when I was Solar Eclipse DXing in August, 2017.

MORE ADVENTURES WITH MY SANGEAN PR-D5

As many of you may know, I have one of these Sangean radios that are known for being really good on MW/AM. Sangean PR-D5's are like mini-boomboxes, which also have an AUX IN so you can plug your phone or tablet into the jack and listen to streaming in stereo. I used to listen to Norway's NRK Norske Folkemusikk channel all the time on my PR-D5 that way.

I also discovered a button pressing glitch that seemed to occur on my PR-D5 after the radio had been powered up for several months. It seemed that the constant powering of the radio -- which kept the microprocessor working in the background, waiting for the Power button to be pressed -- would cause the microprocessor's firmware to read the buttons oddly. 

For example, I'd have to press the Power button several times to get the radio to recognise that I was pressing it. Sometimes I'd press a button and an entirely different function would occur (like I would press a memory channel button and the PR-D5 would switch from AM to FM instead).

I discovered the fix out of frustration. I pulled the batteries, and pulled the plug from the AC wall adaptor, and reset the radio that way.

The re-set worked. The radio's buttons started working normally. A few years later, sometimes the re-set wouldn't completely work. I found that pressing the Power button after de-powering the radio did the trick.

I wrote an article about this button issue in 2017 or so. Here is a link to that article, where I go into more detail about it. Other PR-D5 owners who had the issue also found that the re-set fixed their radios.:

Interrock Nation: How to quickly fix a SANGEAN PR-D5 Power Button malfunction -- and other easy fixes

Recently, that hasn't been working 100%. I finally resorted to spraying contact cleaner down the side of all the buttons a couple times, working them after each spray. I wiped the excess off the front of the radio with a paper towel.

Presto! The radio acts like new again.

It appears that if your PR-D5 has been sitting, unused, for several months (I hadn't used my radio in probably a year, using my Superadios in my writing Den instead), the buttons can either oxidise, or they need to otherwise be exercised to work properly again.

NOW, these fixes may work on many of the Sangean AM-FM only radios. I have experienced these button glitches with my PR-D5, PR-D14, PR-D18, and a couple times my PR-D4W even acted up. It's obvious that something in their firmware can develop these button glitches over time. 

The buttons are fine, the radio circuits and 'brain' are all fine, it's just that the firmware will act up if it sees continuous power for too long.

And the buttons themselves either need exercising (i.e., actual use) or they may need a shot of contact cleaner down the side of the buttons now and then. And periodically re-setting your radio (depowering it completely, letting it sit for 15 seconds or so, and maybe pressing the power button to clear the residual charge in the microprocessor) is probably a good idea, too.

This was another article sitting dormant, that I had forgotten I had written. So here it is, nearly two months late. Better late than never.

I still am finishing the article on the mediocre Solar Cycle 25. I have been sitting on that one for almost a year. Here it is, December, during a 'peak year', and the SW DX conditions are mostly crap and MW DX conditions aren't anything like they were in 2011-2014.

So, it's time to publish that article, being that my assessments of Solar Cycle 25 turned out to be very accurate.

I shall get that article out within the week. 

Peace,

C.C. 12-18-2024

DX Conditions = Abysmal; But MADAGASCAR Gets Through Anyway!

The antenna farm in Madagascar for MWV New Life Station, whose Russian broadcasts to Eastern Europe make it all the way to my location near Seattle -- even when the rest of the SW bands are dead, or mostly dead.

(photo courtesy Russian MWV website)

DEAR READERS: I'd forgotten I had this article written up. Here 'tis, over two months late. That said, DX conditions have still been poor over the past two months, so much of what I say here still applies. Plus, the new battery issue I encountered is probably informative -- batteries can be bad out of the box! Ya learn something new every day.

Peace, C.C.

I am still in a funk over losing my cat, and dealing with a bunch of different stuff here at home, but I have managed to tune the Shortwave bands -- usually in the morning hours, when Asia comes in -- and the MW band at night when I'm in my writing Den, or later at night when I am ready to hit the hay.

I am also working on finishing an article on the latest Solar Cycle, and how mediocre it is -- something I've held off on publishing for several months, in the event that the Solar Cycle somehow begins delivering the DX that it's supposed to be delivering (hint: so far, it really hasn't). There have been a few bright spots where there have been mornings and afternoons with some DX on the SW, and MW at night has picked up slightly, but it's also had swaths of 3-4 days where there are mediocre conditions, too.

That article will be posted by mid-October.

That said, the past few days here in mid-September SW and MW have been mediocre at best, abysmal at worst. I tune my DX-394 + wire antenna during the mornings and often during the evenings, and I use my Superadios, Sangean PR-D5, or Sangean PR-D4W for MW DXing at night (and -- on rare occasions, my trusty Panasonic RF-B45), all with a milk crate loop.

The last couple weeks have been pretty mediocre on both the SW bands and the MW band. Sometimes the most interesting catch I've had is the Desert Whooper on 4096 kHz, a small, low power beacon transmitting 'whoop' noises and some CW out of an undisclosed location in Desert California.

This particular morning (the 17th of September) was an example. As I was sipping my coffee, waking up, and tuning my DX-394, I heard mostly static. The 30 Meter Ham Band was dead, no Pinneberg military RTTY on 10100 kHz, no NAU USN RTTY at 10153, no CW and not even any FT8. WWVH on 10000 kHz was in the mud, and WWV was non-existent. The 20 Meter Ham band was dead except for very weak FT8 noises around 14075-14075, and the 40 Meter Ham band was nothing but static, except for a local (WA-OR-BC) net high up in the band, and even then I could only hear the two strongest stations.

The 31 Meter Band, which is a good SW broadcast band for Asia during the mornings, was nothing but static.

Except for Madagascar.

Lo and behold, 9885 kHz had not just a carrier, but audio! Pop music! The signal was weak, but quite audible in the static, and fairly readable. Then I heard some talk by a woman in Russian, and then a man talking in Russian, ID'ing the station as 'KNLS', which is a Christian station that operates out of Anchor Point, Alaska, usually beaming programs in Russian to Siberia and Chinese and English to Asia.

But KNLS also has a station in the Southern Hemisphere, that broadcasts to Russia and other regions of Western Eurasia from Madagascar.

This is the station I was listening to: the MWV New Life Station being transmitted from Mahajanga, a small city in NW Madagascar, not too far from the Indian Ocean coast!

MWV New Life Station seems to be the KNLS service to Western Russia, while KNLS proper serves Siberia. Both stations play a lot of pop music that ranges from 80's pop to 2010's pop. This morning I heard a pop-R&B track sung by a young woman I had never heard before, and then Harry Styles' 2017 hit Sign Of The Times.

After some more talk in Russian, they played some choral music, which was quite good.

I was able to record some of the Harry Styles' track and the choral music on my phone.

It was very odd hearing Madagascar on my DX-394 -- a very capable radio -- and not hearing anything else except very weak carriers with no audio, or static. But it is what it is: that station in Madagascar truly gets out!

What is really cool, at least for me, is that Madagascar is the closest large, populated land mass to the Antipodes of my home region -- it's on the opposite side of the world from here.

The real Antipodes of Seattle, of course, is near Kerguelen Island in the Southern Indian Ocean, but there are no radio stations on Kerguelen (aside from possibly a local, low power FM for the French scientific and military station there). Madagascar, maybe 1800 miles to the north of Kerguelen, shall suffice. :-)

Like I've said before, both here and elsewhere, when concerning the somewhat disappointing Solar Cycle, there are always some surprises, and this was one of them. To not hear much of anything slamming my radio out of Asia, and no Morse Code or sideband on an early Fall morning when the SW bands should be hopping with signals, only to hear Madagascar beaming a broadcast to European Russia, is just proof that even when conditions are down sometimes you get surprises.

FIRING UP MY REALISTIC DX-398 -- and a new BATTERY ISSUE

With a SIMPLE, EASY Fix!

Just this week -- Monday, to be exact -- I decided to fire up my trusty DX-398, which is probably the best radio I have for SSB and Morse Code reception. My DX-394 comes close, as does my Panasonic RF-B45, but the DX-398 pulls in Sideband signals just a hair better than both of them.

That is, when the signal levels across the band aren't cutting down a couple decibels, only to come back up 10-15 seconds later, as happened to me recently....

I had this happen Monday morning. It was odd -- nothing I'd heard before. Strange dipping and increasing of all noises -- both signals and static. It was like someone was messing around with an RF Gain or Volume control.

At first I thought it was the radio. My antenna is pretty solid -- being indoor, there is no corrosion. And I'd never heard signal levels, across an entire ham band, dip 2-3 db and then go back up maybe 2-3 db just 10-15 seconds later.

For a second I thought it might be the battery connection -- I'd just put in new batteries (Walgreen Alkalines I probably got in the 2010's some time, so they were 'new old-stock' batteries), and maybe I'd not put them in right. I double checked the way the batteries were inserted. They were firmly in place, with no corrosion to be seen anywhere.

Now, I'd had two separate issues with my DX-398 dealing with batteries in the past. One was in 2012 or so when the negative terminal spring weakened where it was soldered to the main PCB board. A good dollop of new solder fixed that. Then last year or so there was a time when the DX-398 would turn itself off after a minute of working, on brand new batteries. That was a bit of corrosion on the positive battery terminal plate -- something that was hard to see, but definitely there. Once I cleaned it, the 398 worked like a charm until the batteries were spent maybe a month or two later.

So this time, when the signal levels on the 10 Meter and 20 Meter bands were wigging like someone was messing with my RF Gain or Volume, I at first thought it was the radio. 

At the same time, I realised that it COULD have been propagation -- although that sort of band-wide dipping and increasing of all signals (and static) levels was something I'd never before encountered in all my years of DXing. I'd seen dips and returns in signals, but not the entire band -- static and all. 

This was something new. Something was awry.

I rechecked the antenna clip and connector. All was fine.

I took the new, old-stock batteries out of my DX-398 and put them in my trusty Radio Shack 200629 (the batteries in that radio were next to dead). I fired it up. It worked great, until the same thing started happening. Dips in both signals and static. It was almost like what I experienced when my antenna terminal was wonky, though I knew it was 100% secure -- and the DX-398's antenna terminal has always been 100%. And instead of cutting volume and then cutting it back up, like someone hit a switch, in this case it was like someone quickly turning an RF Gain or Volume control.

Same problem, both radios. That meant the problem was external to the radios. Meaning it was the antenna -- or the batteries.

I switched off the 200629 and DX'ed with my DX-394 (which works on AC power), deciding to let the problem sit for a while.

Later that day, the thought occurred to me that maybe the problem was indeed the actual batteries. Maybe they had gone bad in the package, even though they looked clean and normal. I'd heard of such things happening before.

After all, if a battery lowers in juice, all the circuits of a radio will decrease in volume and gain. Usually you don't notice this when your batteries weaken because it's gradual. But if batteries dive for some reason, you'll hear it. And when batteries are old or bad, they might put out 6 Volts for a while and then dip to 4 or 5 Volts, before surging back up to 6 Volts again. And your radio's circuits will be affected. A voltage regulator (in most radios) can only do so much -- it can't create power that isn't there.

Of course, this sort of issue hadn't happened to me before. But it was worth investigating.

So I went to my battery box and pulled out another set of new AA's, this time they were Energizers I probably bought before the Pandemic hit. Maybe they were 5-6 years old, but they were alkaline, so they should still be good.

I popped them into my Radio Shack 200629, Tuesday morning. I DX'ed the bands for over an hour with no glitching, no bizarre dipping of signals whatsoever.

The problem was the batteries. They were old, yes, but they were still in their case. But obviously, they were weak enough to where they were varying in output, and it was messing with the gain and the RF, IF and AF circuits of the radios.

You learn something new every day.

So remember kids, sometimes the issue you may be having with your radio just might be the batteries.

KPNW-FM, 98.9 Seattle's Flip-O-Rama Station -- Flips Again, This Time To Country

KPNW-FM lasted about a year and a half with an Alternative / AAA format. Next!

A few years back, on of our local Seattle area FM stations, Click 98.9 flipped to Rock, call letters KVRQ. They called themselves, unremarkably, "Rock 98.9". I remember wondering what Rock 98.9 could bring to the table, as -- at that time -- we had KISW 99.9 for Mainstream Rock; KNDD 107.7 for Alternative Rock; KFOO 102.9 for Classic Alternative Rock, and KZOK 102.5 for Classic Rock.

As it turned out, KVRQ Rock 98.9 filled the niche between KISW and KZOK very well. They were a fun station to listen to. They played a lot of 80's, 90's and 00's music that the other stations didn't concentrate on, and the music was programmed very well. You could hear Motley Crue, followed by Red Hot Chili Peppers, followed by Linkin Park, followed by Rage Against The Machine, followed by A Perfect Circle, followed by Disturbed, followed by Danzig... you get the idea.

Rock 98.9 was yanked off the air after a year and a half. They had a lot of loyal listeners, like myself (as well as a couple musos I know in the area), but they weren't promoted enough, and consequently didn't get the ratings. They did a few promos at rock shows, but the problem with Rock promotions is that there aren't many current rock stars, and 'classic' artists -- who usually play at the local Indian Casinos and draw crowds of maybe a thousand or so -- don't usually have the same pull that the few, huge classic rock acts like the Stones, Pearl Jam and Metallica have. And apparently having a fifth rock station in the metro just wasn't paying the bills.

The banner which was atop the long defunct KVRQ Rock 98.9 website.

They were a fun rock station. They lasted just a year and a half, to 2 years.

I wrote an article about KVRQ Rock 98.9 here.:

Interrock Nation: KVRQ 98.9 FM -- New Classic Rock Station in Seattle

So, being that Rock 98.9's ratings weren't what the owners, Hubbard, desired, they did what seemed natural: they flipped to Country -- now they were "KNUC The Bull". Why Country, especially in tech mad, anything but farm country, West Coast Seattle, the home of grunge? Well, Country music is the most popular music format in the US. 

The Bull got ratings, but they never beat their main competition, a longer established station on 100.7 called The Wolf. The Bull's promotions were mainly at Country shows. Country radio is one of the few remaining formats where word of mouth, and or promotions at shows works. This is because Country is one of the few remaining formats that has big stars. But even with a popular morning show, and whatever promotion they were doing, The Bull's ratings began to drop after about a year. 

The station was then flipped to KPNW-FM, an alternative / AAA (Adult Alternative) station. A lot of the radio guys on the radio forums I go to thought KPNW-FM (there is a KPNW-AM, a talk station in Eugene, Oregon, about 350 miles south of here) might be a non-starter. AAA is a dying format nationwide, and there are AAA channels on the streaming services that have gained the listeners that the Over-The-Air radio stations cast off when they flipped to other formats in the 2010's. The Pandora app on my smartphone has an AAA channel. I'm sure the other platforms have them, too.

That said, KPNW played an interesting mix, and, once again, just like Rock 98.9 before them, they got some loyal listeners. I listened to KPNW-FM a lot. It wasn't always my cup of tea, but they played a decent mix of music. The station wasn't promoted much, however. There were no KPNW billboards, no KPNW placards on buses, few, if any ads in local online media -- nothing like that.

In other words, they weren't exactly creative in their attempt to reach all the alienated AAA listeners.

It was another case of Radio thinking "If we just put it on the air, the listeners will show up, as if by magic." That might have worked well in 1985, when FM listeners tuned around a lot, but it doesn't work so well in 2024, when FM listeners don't tune the dial much. Most radios in newer cars, for example, don't really have dials. You have your favorites, and punch the virtual buttons on the dashboard screen. Also, many listeners use streaming services a lot. 

Radio somehow hasn't figured this out yet. More on that later...

Anyway, KPNW's ratings started low and then kept going lower.

The logo for The Bull last time around, when it was KNUC 98.9 FM. The new logo is similar. I posted the older logo here because I think it looks a bit cooler.

On a radio forum I go to, where a lot of pros hang out, I asked them why KPNW wasn't promoting their station to gain listeners in an increasingly multi-media, internet dominated world.

In other words, why weren't they advertising? Stations used to do that all the time in previous decades. I used to see radio station billboards, and placards on the sides of buses. The concept of advertising a radio station seemed to work back then -- why not now?

What I got back from the experts was the keyboard equivalent of a shrug. Experts there said that KPNW was indeed promoting. They were giving away tickets to shows. They may have had some sort of presence at some musical events (what type of presence isn't really clear). 

I said "But.... what about advertising, though?" Radio used to advertise heavily -- and now, with so much competition from streaming platforms like Spotify, Pandora, YouTube, ApplePlay, and other platforms, advertising seems like a no-brainer.

No, said the experts. That's not how it's done. You do what KPNW did -- ticket giveaways. "That's how you reach their potential listeners."

OK, offer ticket giveaways -- but to who? If your potential audience doesn't know your station is present on the FM band, how are they going to get your tickets? The point is to get people to listen to the station, right? How is giving tickets to people who already are listening going to gain more listeners to your station? FM listeners don't troll the band looking for new music like they did when I was a kid. They keep their radio on a couple presets, and -- increasingly -- they use streaming services, streaming playlist, and curated streaming channels (like Pandora's AAA/Adult Alternative channel -- which I can get on my phone through the app) to listen to music.

You've got to find a way to get them to check out your station. They're not going to find it on their own anymore.

Not everyone is a radio nerd. Today, it's more like "What's a radio?"

Anyway, any time I asked questions about KPNW's lack of internet and billboard promotion, I got what seemed to be canned replies. "That's not how it's done in radio," seemed to be the gist of it. "It's word of mouth. That is the only thing that works."

Now, most businesses probably love it when a satisfied customer tells others. So the concept of 'word of mouth'? I get that.

But advertising is a billion dollar business for a reason. Advertising often works.

I shook my head after these interactions with the experts. If THAT is really how the people running radio stations think you promote your content brand with all that internet competition out there, RADIO IS DONE.

Now, I'm no radio expert. I'm a radio blogger / journalist, but I'm no expert. I'll admit that completely.

But I can tell you this: whatever form of promotion KPNW tried -- ticket giveaways, word of mouth, it wasn't working.

As Radio ditches music formats that cater to age 50+ demos, treating the older demographics like they are little more than yesterday's trash, the migration away from Radio to services like Pandora and Spotify continues. Pandora has several channels featuring the AAA/Adult Alternative music that a lot of college educated, older demographics like. They also have several oldies channels, including a surf music channel. They have a smooth jazz channel, too.

 Radio ditches 'em, Pandora hitches 'em.

THE INTERNET: IT'S A DIFFERENT ANIMAL. GET USED TO IT.

News flash: The Internet is becoming the dominant form of music consumption, with YouTube, Spotify, Apple and Pandora leading the way. Amazon Music is also a key player. The radio based platforms like IHeart and Audacy have a long way to go to compete, but they're trying.

But when your industry is losing listeners to online platforms, shouldn't it be time to think outside the box?

Whenever I mention the FACT that in 15-20 years the vast majority of the more than 15,000 radio stations in the US will no longer exist, even online, the radio experts respond with crickets.

But it's fact. Online is a different animal. There are visibility issues. There are subscription problems. If you run ads, it can drive listeners / content consumers away from your site, so you have to work around that issue. There are expensive digital royalties for streaming music services -- including the radio ones. Even if you get them to load your "app", your "app" may be lost in the gazillion other icons on their phone's screen.

Online -- even for a radio station -- really isn't plug and play. Especially when you switch off the transmitters and antennas, and your entire operation is just one more website out of millions of them.

And that visibility issue is MASSIVE. It's so easy for any content channel to get lost in the vast internet static. Just ask any online newspaper that still failed. There are a gazillion news sources, valid and invalid, out there -- all that competition for screen time. The competition for the news marketplace today even is global in scope. All those websites, worldwide.

And even a decent local newspaper has issues keeping the lights on. Even national newspapers have problems. Ask the LA Times, which loses tens of millions of dollars a year, and laid off more than 100 staff in the past couple of years. 

The internet is a harsh mistress.

When I bring this up on the radio forums, no one gets it.

And that, in itself, is another problem.

THE 'NEW ECONOMY' ISSUES THAT ALL THAT RESEARCH MISSED

When the Audacy radio corporation bankruptcy was a news issue on the radio websites a couple months ago, one guy asked the experts: Why didn't the big radio companies foresee that the internet media competition would hit them in the wallet? Why didn't they -- with all their blessed RESEARCH and highly paid consultants -- foresee that the internet would drive down advertising rates, because of the infinite number of slots -- you know, all that competition?

The experts really didn't have a good answer. I suppose a lot of what is slamming radio now is post-Pandemic economics, something that nobody could foresee. But it still remains: the Internet has been vaunted as THE FUTURE since 1998-1999 -- just before the Dot-com crash -- when news articles were constantly talking about the "New Economy" versus the "Brick and Mortar" economy. That was 25-26 years ago.

These big radio companies depend on consultants, research, studies, polls, ratings services -- they have all of this expert information at their hands and they didn't see the advertising issue happening, and right now many of them seem to be lost when it comes to the future of Radio.

Personally, I think that if I'm still alive and kicking in 2045, there won't be more than a couple hundred AM radio stations on the air in the US, and more than 3-4 thousand FMs. And those numbers will probably drop, year by year. They may migrate to the internet, and still will probably fail. Because of the economics of streaming. Very few radio stations 20 years from now will have viable, independent streams. 

The vaunted future of every station on the air today having a viable streaming station tomorrow simply will not happen. The economics of competing in an increasingly national and global media audio market, and the complications of internet streaming economics will not support it.

Now, maybe that future dominance of just 5-6 major streaming platforms is inevitable, promotion or no promotion, thinking out of the box, or not thinking out of the box. Maybe there is absolutely nothing radio stations can do to see the end of this century. But that said, it appears that "Radio" -- as we know it -- won't last. It will be streaming networks, on one of the massive platforms. Your local station won't survive. The economics won't support it anymore than it's supporting your local newspaper right now.

And the backwards looking leadership at a lot of radio companies seems to be helping it on its way into the electronic trashcan in the sky.

Either way, this latest debacle here in Seattle on 98.9 is a head scratcher. KPNW-FM looked like a potential money maker -- maybe not a massive moneymaker, as the older Millennials and younger GenX'ers they wanted to reach are in their 40's and 50's, the high end of the sales demographics. But AAA listeners are generally educated, and well-to-do -- not much different from your average Public Radio listener.

I thought that if KPNW-FM advertised and actively promoted their station, they had a chance. Seattle, the home of Grunge and Alternative, would be receptive to Alt and AAA music. The listeners just had to be reached out to, and found. So that they would set the virtual buttons on their car system to KPNW.

But it didn't work out.

There, of course is another wrinkle in this story. Another Seattle FM station, Star 101.5, flipped from AC to Classic Country. They're now "101.5 Hank FM" (not to be confused with the "Hank 101.5 FM" in Dayton, Ohio). They flipped Classic Country the same day that KPNW-FM flipped to Country.

The question is whether a Classic Country station can do well in a city that isn't exactly rural or Country lifestyle oriented. In the 1990's we had two big Country stations (KMPS 94.1, which often topped the ratings, and KRPM 106.1), and a third one that made an attempt (KYCW, Young Country 96.5).

But that was when Country was massive, and their big stars were literally superstars. Garth Brooks, Clint Black, Alan Jackson, Travis Tritt, Shania Twain, the Dixie Chicks, and some others were super popular even outside the Country music arena. But that was the 1990's and early 2000's. The young people who were into Country in the mid 1990's are over 50 now, and advertisers don't care about listeners over 50.

Also, Classic Country, as a music format, is said to be a hard sell to advertisers, as a lot of the listeners are older demographics. So KPLZ's flip from Hot AC -- one of the top radio formats in the US -- to Classic Country could be a gamble.

So what does this all leave for a station like "Hank"? It's hard to say.

I guess time will tell.

For those curious to hear "101.5 Hank FM" in Seattle (not the "Hank 101.5 FM" station in Dayton, OH), here is their website, creatively called "CrankTheHankSeattle".:

101.5 - HANK FM SEATTLE (crankthehankseattle.com)

If you want to check out "The Bull 98.9", here is a link to their stream.:

Number One For New Country - 98.9 The Bull (989bull.com)

If you want to get a feel for what many Seattle listeners thought about 98.9 flipping to Country and 101.5 being turned into "Hank FM", this RadioInk article covers some of that, and the numerous comments below the article are enlightening.:

Two Seattle Stations Go Country As KPNW and Star 101.5 Flip - Radio Ink

My Radio Shack 200629, which I got in 2013, strikes again! I logged WWL, New Orleans with it earlier this evening. The 200629 is a good MW DXer, especially if you couple it with an external loop antenna. The three way tone control works really well. 

With that, I'll close this article. Life is normal. As per usual, I've been MW DXing nightly... Earlier this evening, I actually heard WWL, New Orleans, briefly on 870 kHz, on my Radio Shack 200629 with my crate loop. WWL were playing the Dave Ramsey Show, his theme song "Baker Street" (by Gerry Rafferty) being easy to pick out in the mix. The snippet came up for several seconds and then faded back to unreadable audio behind Pasco, WA talker KFLD.

I hadn't heard WWL in nearly a decade. New Orleans is a long, long distance from here. When I hear WWL, it generally means that the really long distance DX is coming in. So perhaps this present dud of a Solar Cycle is sharpening up!

One can only hope, as Solar maximums are also good for other things, like growing crops. :-)

Aside from that, the weather is improving. I have a few radio articles I'm still working on. I hope this blog post finds everyone out there -- all over the world -- doing well.

Peace.

C.C. April 4th, 2024.